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X-WR-CALNAME:Doris Ulmann Galleries
X-ORIGINAL-URL:https://dulmanngalleries.berea.edu
X-WR-CALDESC:Events for Doris Ulmann Galleries
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180109T080000
DTEND;TZID=UTC:20180209T170000
DTSTAMP:20260619T223517
CREATED:20171011T221048Z
LAST-MODIFIED:20240205T003551Z
UID:1810-1515484800-1518195600@dulmanngalleries.berea.edu
SUMMARY:Private Sanctuaries by Lisa Kriner
DESCRIPTION:An exhibition of new work by Lisa L. Kriner\, Berea College Professor of fibers and Printmaking.
URL:https://dulmanngalleries.berea.edu/event_cal/private-sanctuaries-by-lisa-kriner/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2017/10/Night-Night-detail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20171001T080000
DTEND;TZID=UTC:20171117T170000
DTSTAMP:20260619T223517
CREATED:20171011T223345Z
LAST-MODIFIED:20240205T003618Z
UID:1816-1506844800-1510938000@dulmanngalleries.berea.edu
SUMMARY:Juried Alumni Exhibition
DESCRIPTION:Doris Ulmann Galleries is proud to announce the opening of its first Juried Alumni Exhibition. Held in the Lower Traylor Gallery of the Rogers-Traylor Art Building\, the show will be on display from Oct. 1 until Nov. 17\, 2017. A closing reception is scheduled 3 p.m.\, Friday\, Nov. 17\, to kick off Homecoming weekend.  \nKelly and Kyle Phelps\, nationally renowned ceramic artists and art faculty members at the Xavier University and University of Dayton\, respectively\, juried entrance into the competitive show. The Phelps brothers’ work has been exhibited nationally and featured in Ceramics Monthly\, Sculpture\, and American Craft magazines.   \nComprised entirely of studio art alumni\, this exhibition celebrates the different interests\, media\, and styles the Berea College Art Department cultivates. Doris Ulmann Galleries would like to encourage visitors to attend the reception\, engage the artists\, and enjoy food and beverages. This exhibition is supported by the William A. and Leola Piper Boyce Art Exhibition Endowment Fund.  \nThe artists included are: Larry Allen (1978)\, Paul Atkinson (1976)\, Monica Barnett (1986)\, Jamie Brown (2012)\, Hannah Cameron (2005)\, Daniel Chapman (1986)\, Gary Chapman (1984)\, Hoyt Childers (1972)\, Charlie Cummings (1995)\, Stephen Drabicki (2006)\, Billy DuVall (1988)\, Darla Elam (1994)\, Sandi Hass (1990)\, Ann Hazels (1998)\, Sean Hennessey (1995)\, Amy Judd (1986)\, Daniel Kilpatrick (1970)\, Rebecca Lowery (1994)\, Patrick Lynch (1985)\, Jimmy Morris (1986)\, Laura Poulette (2000)\, Karen Pritchett (1987)\, Timothy Ryan (1983)\, Margo Selski (1986)\, Todd Shelby (1987)\, John Simmons (1964)\, Charles Sitton (1984)\, Parker Stafford (1989)\, David Skillman Thomas (1967)\, Suzanne Thompson (1975)\, Priya Thoresen (2009)\, Rowena Throckmorton (1992)\, Clovy Tsuchiya (2012)\, Alfred Vason (1979)\, T. Sammie Wakefield (1965)\, Patricia Watkins (1971)\, Bobby Wilson (1986)\, Timothy Withers (1984) 
URL:https://dulmanngalleries.berea.edu/event_cal/juried-alumni-exhibition/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2017/10/22154268_1678706148837794_4994992277698084015_n-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20171001T080000
DTEND;TZID=UTC:20171103T170000
DTSTAMP:20260619T223517
CREATED:20170814T190226Z
LAST-MODIFIED:20240205T003704Z
UID:1720-1506844800-1509728400@dulmanngalleries.berea.edu
SUMMARY:Trophy Hunted by Corinne Teed
DESCRIPTION:As a research-based artist\, my work explores identity in the context of human and non-human animal interactions. Through printmaking\, installation\, time-based media and participatory projects\, I collaboratively re-imagine multispecies communities of cross-species empathy in this era of environmental devastation and climate change. I often include participatory and collaborative practices to integrate others’ voices and experiences into my work. Participants are encouraged to reflect on their relationships to animals amidst ecological crisis\, and on aspects of human identity.   \n  \nIn the work presented here at Berea College in Trophy Hunted\, I question our human role in wild landscapes with a particular focus on contemporary and historical relationships to Gray Wolves. Wolves are a keystone species\, meaning they are a predator whose presence or absence has a disproportionally large effect on the surrounding ecosystem. With such a significant impact on ecosystems\, wolves raise complicated questions about habitat usage and human/wolf relationship. For example\, while gray wolves have been exterminated from Kentucky for over 150 years\, a wolf from a Great Lakes pack crossed into the state in March of 2013 and was killed in Hart County.   \n  \nThe Trophy Hunted print series uses photographs that trophy hunters post to the internet holding up wolves they have killed. I remove the hunter from the photograph\, their silhouette haunting the fragility of the wolf carcass carved into a relief print. The hunter is surrounded by plant species who share ecosystems with wolves and are currently categorized as threatened – including White Pine\, Bulrush\, Lakeside Daisy\, Dwarf Lake Iris\, Houghton’s Goldenrod\, and Ash. These prints resonate with the work in Therophobia\, which explores gray wolves as ecological subjects and contentious figures in American history. The animation appropriates settler colonial imagery while the audio is constructed from interviews I conducted with wolf biologists and indigenous leaders.   \n  \nWork in Trophy Hunted was supported by a fellowship residency from the Virginia Center for Creative Arts\, an artist residency at ACRE\, a faculty research grant from Minnesota State University Moorhead and the participants in interviews for Therophobia and portraiture for Mapping the Burrows.  
URL:https://dulmanngalleries.berea.edu/event_cal/corinne-teed/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2017/05/Teed.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20170418T080000
DTEND;TZID=UTC:20170418T170000
DTSTAMP:20260619T223517
CREATED:20170418T165503Z
LAST-MODIFIED:20240205T003729Z
UID:1717-1492502400-1492534800@dulmanngalleries.berea.edu
SUMMARY:Graduation Exhibit for Art Majors
DESCRIPTION:The collective body of work that extends through the Upper and Lower Traylor galleries\, are the result of years of hard work in which our graduating art students the opportunity to show their artistic skill. \nSenior Artists \nNoah Broomfield\, Ceramics \nCallie Denham\, Sculpture \nFelicia Flesch\, Ceramics \nSara Gallimore\, Printmaking \nCayla Jones\, Painting \nO.H. Jackson Napier\, Sculpture \nVictoria Slaughter\, Ceramics \nTaylor Styles\, Ceramics
URL:https://dulmanngalleries.berea.edu/event_cal/graduation-exhibit-for-art-majors-2/
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2017/03/ForAlumni.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20170413T080000
DTEND;TZID=UTC:20170507T170000
DTSTAMP:20260619T223517
CREATED:20170418T163442Z
LAST-MODIFIED:20240205T003906Z
UID:1715-1492070400-1494176400@dulmanngalleries.berea.edu
SUMMARY:Monsters of Suburbia
DESCRIPTION:Monsters of Suburbia focuses on a 10 year old boy\, Jason\, who has become fearful of the world and of the changes he faces while growing up. Jason’s fears manifest as monsters which he must overcome to fulfil moral obligations and develop self confidence. Formally\, my art connects to the tradition of comic books through the use of ink and Bristol paper My passion for sequential art comes from the freedom it allows artists to develop stories without the restrictions or regulations that are present in film making and other narrative media. Creative freedom is a cornerstone of this body of work and will continue to influence my artwork in the future.
URL:https://dulmanngalleries.berea.edu/event_cal/monsters-of-suburbia/
LOCATION:Tredennick Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2017/04/1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170413
DTEND;VALUE=DATE:20170508
DTSTAMP:20260619T223517
CREATED:20160719T232551Z
LAST-MODIFIED:20240205T003932Z
UID:901-1492041600-1494201599@dulmanngalleries.berea.edu
SUMMARY:Graduation Exhibit for Art Majors
DESCRIPTION:Join us in appreciating the work of our exiting art majors!
URL:https://dulmanngalleries.berea.edu/event_cal/graduation-exhibit-for-art-majors/
LOCATION:Upper & Lower Trayor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/IMG_4755-sm.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20170319T080000
DTEND;TZID=UTC:20170504T175900
DTSTAMP:20260619T223517
CREATED:20160719T232243Z
LAST-MODIFIED:20240205T004014Z
UID:899-1489910400-1493920740@dulmanngalleries.berea.edu
SUMMARY:Brush\, Ink\, Line: Calligraphy of Japan
DESCRIPTION:Selected from the Berea College Art Collection\, Brush\, Ink Line: Calligraphy of Japan focuses on presenting the tools\, artworks\, writings\, and poetry that encompass Japanese calligraphy. Many of these objects were given to the College by women who spent time in Japan. Generally\, calligraphy is thought of as penmanship\, simply a way of communication for another culture. However\, the mastery of skill takes years of practice because of the types of material required. With the work that goes into marking the page with ink and a brush by hand\, each artist adds a personal touch in understanding the patience and determination it takes to perfect the skill. This diverse collection from the 9th century to today illustrates the growth of the language as an art form. \nCurated by Jessica Schroader \n  \nThis exhibit of Japanese calligraphy is a corollary to work by Nishiki Sugawara-Beda\, on display in Upper Traylor Gallery. \nJapanese\, Tanzaku Calligraphy(detail)\, Ink on paper\, 2 3/8″x14 1/2″\, 20th c. \n  \n  \n 
URL:https://dulmanngalleries.berea.edu/event_cal/calligraphy-of-japan/
LOCATION:Rogers Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2017/03/170-38-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170227
DTEND;VALUE=DATE:20170401
DTSTAMP:20260619T223517
CREATED:20160719T230112Z
LAST-MODIFIED:20240205T004033Z
UID:897-1488153600-1491004799@dulmanngalleries.berea.edu
SUMMARY:Words Walking
DESCRIPTION:As a child\, I learned Japanese calligraphy at school. When I was growing up\, I watched my father\, a calligrapher\, practicing and saw how he approached his work. We talked about the meaning behind each proverb he was writing or about his practice itself.We still do. Together with Sumi-e (Japanese ink painting)\, Japanese calligraphy has become an activity that immediately connects me to my foundation as an individual and artist. \nNishiki Sugawara-Beda
URL:https://dulmanngalleries.berea.edu/event_cal/words-walking/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/09-Sugawara-Beda-Finale-detail-1-300-11x8.jpg.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170227
DTEND;VALUE=DATE:20170401
DTSTAMP:20260619T223517
CREATED:20160719T225246Z
LAST-MODIFIED:20240205T004059Z
UID:895-1488153600-1491004799@dulmanngalleries.berea.edu
SUMMARY:Daydreaming in an Open Land
DESCRIPTION:My drawings and paintings document how I grew into my Vietnamese-American identity. In my work\, I reflect on themes of growth\, integration\, and reconciliation. These paintings combine Eastern and Western traditions of depicting nature to describe a space that is as much emotional as it is physical. This space\, at once thunderous\, mysterious\, and hopeful\, mirrors the refugee experience of creating a new home in a foreign land. \nThuan Vu
URL:https://dulmanngalleries.berea.edu/event_cal/daydreaming-in-an-open-land/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/05-Vu-Daydreaming-in-an-Open-Land-copy.jpg.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170122
DTEND;VALUE=DATE:20170304
DTSTAMP:20260619T223517
CREATED:20160719T224845Z
LAST-MODIFIED:20240205T004119Z
UID:893-1485043200-1488585599@dulmanngalleries.berea.edu
SUMMARY:Ritual
DESCRIPTION:My ceramic vessels portray spirituality and are influenced by symbols in religious architecture.  Inspirations include Islamic temples and mosques and architecture of the Czech Republic that are topped with domes\, spires and finials. Luxury or ceremonial wares that were originally made to reside in holy or other culturally significant edifices are also an influence. Such examples include Islamic metalwork and pottery and Chinese ritual bronze vessels. I seek to take advantage of clay’s ability to retain carefully defined and metal-like details while using luxurious metallic finishes\, only possible through the ceramic process\, that highlight the symbolic elements of the work. \nSeth Green
URL:https://dulmanngalleries.berea.edu/event_cal/ritual/
LOCATION:Rogers Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/07-Green-Teapot.jpg.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170115
DTEND;VALUE=DATE:20170218
DTSTAMP:20260619T223517
CREATED:20160719T223646Z
LAST-MODIFIED:20240205T004148Z
UID:891-1484438400-1487375999@dulmanngalleries.berea.edu
SUMMARY:Horizon Line
DESCRIPTION:While I am influenced by the southern tradition of narrative figure painting\, my work focuses mainly on drawing. My drawings have paint\, of course\, but they are not really paintings—the drawn line is what tells the tale. I use painting and mixed media elements enhance the mark making\, and reassert the shallow space of the picture plane. The pops and veils of color and the stained surfaces provide a ragged sort of embellishment.  But line is what makes the edges and directs the characters and each mark provides a kind of unstable punctuation.My drawings are informed by psychoanalytic theory\, symbolist poetry\, and absurdist humor. Each work has a cast of characters\, images and elements\, in flattened landscapes or ambiguous spaces. I set up these vignettes as a way of investigating what makes people be the way they are\, but I am the worst sort of detective. I just like to pile up clues and rearrange them into melancholic jokes\, farcical calamities and occasional moments of grace. \nKathryn Jill Johnson
URL:https://dulmanngalleries.berea.edu/event_cal/horizon-line/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/06-Johnson-Little-Symbols-of-Your-Devotion.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170115
DTEND;VALUE=DATE:20170218
DTSTAMP:20260619T223517
CREATED:20160719T223343Z
LAST-MODIFIED:20240205T004218Z
UID:889-1484438400-1487375999@dulmanngalleries.berea.edu
SUMMARY:Plight of Ought: Earth Tones in Bloom
DESCRIPTION:Installation and performance by Daniel Feinberg
URL:https://dulmanngalleries.berea.edu/event_cal/plight-of-ought-performance-1/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/08-Feinberg-Plight-of-Ought-Performance-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161117
DTEND;VALUE=DATE:20161217
DTSTAMP:20260619T223517
CREATED:20160719T222822Z
LAST-MODIFIED:20240205T004242Z
UID:888-1479340800-1481932799@dulmanngalleries.berea.edu
SUMMARY:Mid-Year Graduation Exhibit for Exiting Art Majors
DESCRIPTION:This exhibition showcases the art of our two graduating art majors: Dana Dotson and Taylor Dresden. \n 
URL:https://dulmanngalleries.berea.edu/event_cal/mid-year-graduation-exhibit-for-exiting-art-majors/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/IMG_1216-sm.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161106
DTEND;VALUE=DATE:20161217
DTSTAMP:20260619T223517
CREATED:20160719T222413Z
LAST-MODIFIED:20240205T004309Z
UID:886-1478390400-1481932799@dulmanngalleries.berea.edu
SUMMARY:Representing Race
DESCRIPTION:This exhibit is focusing on depictions of race in art. It will be curated by Meghan Doherty’s students in ARH 263\, Introduction to Museum Studies. \nRobert Blum\, Negro Settlement (detail)\, watercolor on paper\, 6 7/8″x 9 1/2″\, 19th c. Gift of Mrs. Charles Sprague-Smith
URL:https://dulmanngalleries.berea.edu/event_cal/representing-race/
LOCATION:Rogers Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/03-Blum-Detail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161009
DTEND;VALUE=DATE:20161129
DTSTAMP:20260619T223517
CREATED:20160719T211533Z
LAST-MODIFIED:20240205T004334Z
UID:878-1475971200-1480377599@dulmanngalleries.berea.edu
SUMMARY:Decomposing the Monument of the Third International
DESCRIPTION:Decomposing the Monument to the Third International is an interactive art project that considers how the practices of art\, food\, and education might be drawn together in order to plug some of the microflows of capital distribution. The hope is to encourage a rising-up of human essence that is based on creating networks of survival whereby the fulfillment of our most basic needs opens-up possibilities for new value systems that are not driven by profit and yield. \nJosh Hoeks \nArtist talk December 2nd\, noon
URL:https://dulmanngalleries.berea.edu/event_cal/decomposing-the-monument-of-the-third-international/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/01-Hoeks-Decomposing-the-Monument-of-the-Third-International.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161009
DTEND;VALUE=DATE:20161112
DTSTAMP:20260619T223517
CREATED:20160719T210304Z
LAST-MODIFIED:20240205T004412Z
UID:880-1475971200-1478908799@dulmanngalleries.berea.edu
SUMMARY:Thicket
DESCRIPTION:My work is a balance of thoughtful observation\, memory\, and ample invention\, drawing information from a variety of sources. It focuses on experiencing a place\, both in person and through recollection. Constructed out of scattered fragments of light and location\, these scenes are an invented geography\, losing space and site. Specificity of place becomes blurred in a fiction of memories\, as coal towns of Appalachia become indistinct from Italian villages. These landscapes are presented through a lens of recollection\, distorted by nostalgia. By sharing these personal perspectives\, the landscape is opened to be reexamined with a fresh interest. \nParticularly in my prints\, I rely on the translation of process\, letting the materials assume partial control of the final image. I enjoy how this process works with the idea of a motif. By pushing the mono-type beyond a single print\, each repetition brings new changes\, each with their own singularity. Like memories of a place gradually altering themselves\, every new print further removes the image from the original\, inventing a new landscape. \nSean Ware \nArtist talk November 11th\, noon
URL:https://dulmanngalleries.berea.edu/event_cal/thicket/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/02-Ware-Ascension-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160906
DTEND;VALUE=DATE:20170528
DTSTAMP:20260619T223517
CREATED:20160624T215019Z
LAST-MODIFIED:20240205T004433Z
UID:756-1473120000-1495929599@dulmanngalleries.berea.edu
SUMMARY:International Focus: Southeast Asia
DESCRIPTION:As part of our showing of objects from the College Art Collection\, we at the Doris Ulmann Galleries like to display art to go along with the Francis and Louise Hutchins Center for International Education’s International Focus. This year’s International Focus is Southeast Asia. Join us in the Masterpiece Gallery to appreciate the fine works of art that come from Southeast Asia. \n 
URL:https://dulmanngalleries.berea.edu/event_cal/international-focus-southeast-asia/
LOCATION:Masterpiece Gallery\, Berea\, KY\, United States
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/06/Screen-Shot-2016-06-24-at-1.40.34-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20160414T080000
DTEND;TZID=UTC:20160508T170000
DTSTAMP:20260619T223517
CREATED:20160506T071103Z
LAST-MODIFIED:20240205T004453Z
UID:684-1460620800-1462726800@dulmanngalleries.berea.edu
SUMMARY:Spring Graduation Exhibition for Art Majors
DESCRIPTION:This exhibition showcases the work of our Art Majors who graduated in May 2016.
URL:https://dulmanngalleries.berea.edu/event_cal/spring-graduation-exhibition-for-art-majors/
LOCATION:Upper & Lower Trayor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2015/09/IMG_4757-e1442259985609.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20160314T080000
DTEND;TZID=UTC:20160408T170000
DTSTAMP:20260619T223517
CREATED:20160506T070508Z
LAST-MODIFIED:20240205T004519Z
UID:682-1457942400-1460134800@dulmanngalleries.berea.edu
SUMMARY:Living on the Over Door by Sarah McRae Morton
DESCRIPTION:Artist Statement: \nThe studio where I am most at home is in rural Lancaster County Pennsylvania. Its a hayloft above horse stalls. A hatch lets in a net of north light\, a view of Amish farmed fields and swallows who nest in the rafters. It has been my studio since childhood\, shared with my brother and sister\, our rabbits\, chickens and piglets. We worked at making everything from hay bale forts to murals in this place. \nFrom the day we discovered a secret annex in the barn- behind a hidden door was a room cluttered with relics from a generation past- our fort seemed cast with magic. That discovery may have set us all on our courses to find hidden doors and forgotten places. My brother became a musician\, sister a writer\, and I am a painter. I read and reread through a trove of art history books kept in the barn. I had walls to freely paint on and subjects in the menagerie of animals. The idea was planted behind my eyes to see more and to look harder- the frontier of curiosity unrolled. \nAs a teenager\, I studied drafting and color theory with Myron Barnstone. I attended the Pennsylvania Academy of the Fine Arts and the University of Pennsylvania. A travel fellowship was a path to Europe to take a chemistry course in Rome on the chemical composition – or decomposition -of pieces from art history. I traveled to Norway to study with painter Odd Nerdrum. When I returned from abroad\, I settled in a coal mining region of West Virginia to make a body of work about the local history\, a changing landscape and a knotted family tree. This work yielded a Mattisse Foundation fellowship to attend the Skowhegan School of Painting and Sculpture. \nSince\, my work has taken me to Cerrillos New Mexico\, Carmel California\, Baltimore Maryland\, to the Vermont Studio Center in Johnson. I currently live in Cologne\, Germany but I often return to my first studio- the barn in Pennsylvania’s Amish country. It is my favorite place to work\, to remember where I am from and what I have seen elsewhere. I depend on the canon of western art history for my visual vocabulary and lore of my home town for context. I am aware that my lens has been curved\, its point of view shifted by travel\, books\, passed artists and new meetings. \nMy paintings mimic American academic construction. The compositions draw from a canon of western paintings where a common goal was to deceive the viewer- to build a believable window view to an invented scene by an alchemaiic process using dirt\, stone oil\, sap\, gems and flax. \nThese creations are pictorial maps of retraced steps\, records of the roads taken to try to capture images of people long gone. As there is an optimal viewing distance for every painting\, it seems true of history too – perspective clarifies some facts and can obscure what we wish not to see. Its a metaphor I allude to by rendering some detail finely while blurring other passages within the same frame. \nMy recent works are invented portraits of the shells of tenacious spirits who have survived because their stories are transmitted around campfires\, between rocking chairs\, and under moth eaten black skies. They had memorable lives or unforgettable brushes with death and left enough legacy\, artifacts or genetic residue to retell their stories. The style of my pieces slightly varies according to the prevalent style of art during each main subject’s lifetime\, displaying facets of aesthetic traditions or challenges to convention that made American art history. The subjects of my recent paintings are the people from whom I am descended\, by blood or by the “marrow of artistic tradition”\, all of whom led me to a place and time along a trail of curiosity.
URL:https://dulmanngalleries.berea.edu/event_cal/living-on-the-over-door-by-sarah-mcrae-morton/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2015/09/14-Banks-and-Smith-60-x-841.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20160228T080000
DTEND;TZID=UTC:20160408T170000
DTSTAMP:20260619T223517
CREATED:20160506T070259Z
LAST-MODIFIED:20240205T004541Z
UID:681-1456646400-1460134800@dulmanngalleries.berea.edu
SUMMARY:Lù|Way by Leah Schreiber Johnson
DESCRIPTION:Lù|Way is an exhibition of work inspired by Leah Schreiber Johnson’s visit to Wuhan\, China\, where she spent 6 weeks teaching and traveling. Rich with texture\, pattern\, and ornament\, the busy city sidewalks became an important physical and visual experience- heightening her awareness the varied and cobbled terrain of the growing urban landscape. The included monotypes and collages are made with pigment\, ink\, and water\, responding to the historical significance of these local materials and traditions\, while reflecting on the fleeting nature of China’s quickly shifting populations and places.
URL:https://dulmanngalleries.berea.edu/event_cal/luway-by-leah-schreiber-johnson/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2015/09/13-LeahSchreiberJohnson.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20160228T080000
DTEND;TZID=UTC:20160403T170000
DTSTAMP:20260619T223517
CREATED:20160506T070041Z
LAST-MODIFIED:20240205T004610Z
UID:680-1456646400-1459702800@dulmanngalleries.berea.edu
SUMMARY:Triangulations by Brendan Baylor
DESCRIPTION:Artist Statement: \nBy presenting the often-unexamined history of a space\, I work to understand what cultural norms and systems produce the current landscape. My hope is that by reflecting on my own experience of place I can come to understand the larger contexts each space is embedded in. Formally\, I work to produce an overwhelming cascade of information that envelops the viewer without resolving into a completely solid structure. By leaving an unfinished or speculative quality to the work\, I echo the fluctuating nature of landscape and the socio-political forces that manufacture it.
URL:https://dulmanngalleries.berea.edu/event_cal/triangulations-by-brendan-baylor/
LOCATION:Rogers Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2015/09/12-BrendanBaylor.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20160210T080000
DTEND;TZID=UTC:20160505T170000
DTSTAMP:20260619T223517
CREATED:20160506T070847Z
LAST-MODIFIED:20240205T004636Z
UID:683-1455091200-1462467600@dulmanngalleries.berea.edu
SUMMARY:Women at Work Curated by the students in ARH/WGS 243 with Dr. Ashley Elston
DESCRIPTION:This exhibit will be curated by the students in Dr. Ashley Elston’s ARH/WGS 243: Women in Art course.
URL:https://dulmanngalleries.berea.edu/event_cal/women-at-work-curated-by-the-students-in-arhwgs-243-with-dr-ashley-elston/
LOCATION:Rogers Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2015/09/15-PU1935-001-5560.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20160119T080000
DTEND;TZID=UTC:20160219T170000
DTSTAMP:20260619T223517
CREATED:20160506T065633Z
LAST-MODIFIED:20240205T004654Z
UID:678-1453190400-1455901200@dulmanngalleries.berea.edu
SUMMARY:The Berea Suite by Steve Armstrong
DESCRIPTION:Artist Statement:\nI have always felt a strong kinship with the craft traditions of Berea College. My maternal grandfather was from Eastern Kentucky and in addition to farming and working in the coal mines\, he made simple furniture and household items out of cherry\, walnut\, and poplar. Typically\, and like many of his peers\, if he needed something\, he made it. As a Kentucky artist and craftsman\, I aspire to be part of that legacy and have a place among the basket weavers\, dulcimer makers\, potters\, chair makers\, and a host of other “makers” that make this region unique. My exhibition will include a selection of old and new work\, encompassing more than twenty years of woodworking. In addition\, I am creating a series of pieces especially for the exhibition\, entitled “Berea Suite” that will celebrate Berea craft traditions. Like all my work\, each piece will have figures that move. Handmade wooden gears\, cams\, and levers\, set in motion by the viewer\, will bring the piece to life.
URL:https://dulmanngalleries.berea.edu/event_cal/the-berea-suite-by-steve-armstrong/
LOCATION:Rogers Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2015/09/11-Dignity_of_work_detail.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20160119T080000
DTEND;TZID=UTC:20160219T170000
DTSTAMP:20260619T223517
CREATED:20160506T065232Z
LAST-MODIFIED:20240205T004711Z
UID:676-1453190400-1455901200@dulmanngalleries.berea.edu
SUMMARY:Exposing Desires by Raymond Gonzalez
DESCRIPTION:Artist’s Statement \nThe exploration of the overlap and interrelation between child play\, desire\, adult play\, and sensuality informs the basis of my art. Many of our toys were handed down from generation to generation including Lincoln Logs\, Lego’s\, and wooden blocks. I capture the appeal of those toys that endured time and technology. In someway\, my art is a conceptualization of my life long pursuit of play. At the same time references to adult play inform my work through color\, texture\, and material. Therefore the audience is able to enjoy the work for its quality of design\, stimulating surfaces\, suggested interactivity\, and references to sensuality.\nThe work confronts ideas of beauty in the surfaces and ornamentation of the toys. Alternative materials including flocking\, automotive urethane\, rhinestones\, and monofilament serve to accentuate the forms and flaunt their tactile nature. The most recent series\, Fetishes\, reference both the historical of a ritualistic object as well as the contemporary interpretation of an object of intense sensual desire. The aesthetic value of these pieces transcends its value as a plaything. The unification of these series lays in the formal and conceptual pursuit to evoke memories of play.\nThe embodiment of toy-like qualities and beckoning visual interaction allow the viewer an instant that they can explore the times in which they played\, the times when stresses were few. Toys allow us to recall memories we do not consider with on a daily basis. It is at holidays or birthdays that we tend to mine memories of our childhood. While physical interaction is not allowed\, it is this desire coupled with visual cues that are conjure memories of play.\nThe abstract qualities allow the viewer to create a memory of their own therefore allowing the work to relate specifically to them. In adulthood our play takes on different forms all which link to our nostalgia of childhood: a game of cards\, tinkering on an old car\, or participating in sports. My toys provide a temporary visual escape for the viewer in which they may reflect upon their memories and question how they played\, why they played\, and how they continue to play.
URL:https://dulmanngalleries.berea.edu/event_cal/exposing-desires-by-raymond-gonzalez/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2015/09/10-RayGonzalez.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20160112T080000
DTEND;TZID=UTC:20160219T170000
DTSTAMP:20260619T223517
CREATED:20160506T064944Z
LAST-MODIFIED:20240205T004729Z
UID:673-1452585600-1455901200@dulmanngalleries.berea.edu
SUMMARY:You've certainly had a tough time - good luck with it! by Jonathan McFadden
DESCRIPTION:My work explores the deluge of ephemeral text and imagery presented by media and how this cacophony of imagery has altered our understanding of the globalized landscape it presents. The bombardment of information that streams on social media sites and news outlets create a sense of urgency that is intensely focused on the NOW. The often haste and theatric nature of media information elevates the impulsive reaction and dissuades from proper reflection. \nInstead of representing a traditional narrative the consumption of information blurs from one source to another flowing from Facebook to Wikipedia to Reddit and other sources of information. This presents us with a fragmented narrative that is layer with preference to what is liked or voted up. Rather than representing this information as ephemeral my print and installation work uses this information to build a physical history built in the layers of information that makes up my visual aesthetic. Blending issues that are viewed as “serious” with the vernacular of Twitter and Facebook I seek to create imagery that is indicative of contrast between what is considered trivial and significant.
URL:https://dulmanngalleries.berea.edu/event_cal/youve-certainly-had-a-tough-time-good-luck-with-it-by-jonathan-mcfadden/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2015/09/09-McFadden1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20151119T080000
DTEND;TZID=UTC:20151217T170000
DTSTAMP:20260619T223517
CREATED:20160506T071532Z
LAST-MODIFIED:20240205T004746Z
UID:687-1447920000-1450371600@dulmanngalleries.berea.edu
SUMMARY:Mid-Year Graduation Exhibition for Art Majors
DESCRIPTION:This exhibition showcases the work of our Art Majors who will graduate in December 2015.
URL:https://dulmanngalleries.berea.edu/event_cal/mid-year-graduation-exhibition-for-art-majors/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2015/09/IMG_4757-e1442259985609.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20151101T080000
DTEND;TZID=UTC:20151217T170000
DTSTAMP:20260619T223517
CREATED:20160506T071741Z
LAST-MODIFIED:20240205T004823Z
UID:688-1446364800-1450371600@dulmanngalleries.berea.edu
SUMMARY:The Kentucky Coverlet Connection: Lou Tate\, Little Loomhouse\, and Berea
DESCRIPTION:Mrs. Franklin D. (Eleanor) Roosevelt\, when she visited the Loom Room of Lou Tate\, was attracted by the drafts and coverlets of early Kentucky women. Her keen interest centered on the overshot weave — typical weave of the coverlets woven by women on their four-harness handlooms. She was photographed with Lou Tate while admiring this particular Double Bowknot coverlet. Mrs. Roosevelt was very interested in the early textiles research being done by Lou Tate\, and corresponded with Lou Tate about her extensive teaching activities with weavers. Mrs. Roosevelt ordered custom weaving from Lou Tate for the White House\, as had Mrs. Herbert Hoover before her.
URL:https://dulmanngalleries.berea.edu/event_cal/the-kentucky-coverlet-connection-lou-tate-little-loomhouse-and-berea/
LOCATION:Rogers Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2015/09/07-Tate-and-Roosevelt.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20151025T080000
DTEND;TZID=UTC:20151217T170000
DTSTAMP:20260619T223517
CREATED:20160506T072659Z
LAST-MODIFIED:20240205T004842Z
UID:689-1445760000-1450371600@dulmanngalleries.berea.edu
SUMMARY:Lost in Transition by Eleen Lin
DESCRIPTION:Born in Taiwan and grew up in Thailand with a western education\, Eleen Lin is a third culture kid inhabiting in non-places of generic cities.  In the age of cultural cannibalism where everything is brought together and rearranged to formulate new identities\, she reiterates folklores and classical literatures into contemporized cross-cultural narratives.  The Pet series paintings transform mystical intimacies between man and animal to represent complex urbanites’ obsession with pet ownerships\, while the Mythopoeia series portray cynical mistranslations of stories such as Moby Dick.  The paintings illustrate the nomadic solitary experience of drifting among various traditions\, the dichotomy of original and translation\, and the obscurity of cultural boundaries today.  Lin studied at Slade School of Fine Art\, UK (BA 2005)\, and Yale School of Art (MFA\, 2008).  Her work has been exhibited in Guangdong Museum of Art\, China; Queens Museum of Art\, NY; Gwangju Museum of Art\, Korea; and galleries throughout Austria\, Thailand\, Taiwan\, United Kingdom and the United States. Lin has been awarded with Elizabeth Canfield Hicks Award\, Sanyu Scholarships\, and has participated with NYFA Immigrant Artist Projects\, Fountainhead residency as well as the AIM program from the Bronx Museum of Art.
URL:https://dulmanngalleries.berea.edu/event_cal/lost-in-transition-by-eleen-lin/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2015/09/Cetus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20151012T080000
DTEND;TZID=UTC:20151112T170000
DTSTAMP:20260619T223517
CREATED:20160506T073003Z
LAST-MODIFIED:20240205T004857Z
UID:690-1444636800-1447347600@dulmanngalleries.berea.edu
SUMMARY:Ferment by Philip Wiggs
DESCRIPTION:Artist Statement:\nIn recent studio work I have been constructing a series of storage vessels whose shape and surface imagery explore the concept of fermentation.\nTo “ferment” means to undergo fermentation\, to slowly brew\, fizz or foam. To “ferment” also means to incite or stir up. I am interested in the dual nature of this word\, and wish to explore both meanings through the form and surface imagery of my pots.\nWhile the voluminous walls on my pots refer to traditional shapes of storage jars\, they also can allude to the easy connection between clay and the human form\, showing bellies stretched to their limit. I want to express a tautness that conveys the feeling of ferment\, of volume stretching outward towards bursting\, showing the promise of fecundity.\nAs a maker of vessels\, I want to remind viewers to look past an easy understanding of function and towards metaphor. The imagery on the surface of my vessels is a guide toward conceptual use\, and often serves as a metaphorical brand or label.\nThis interest in ferment began with an informal study of Korean Onggi fermentation jars. I enjoy that these beautiful large-scale forms are often buried almost completely underground with only the lids showing\, making a functional use of the natural insulating properties of the earth.\nThis act of burying emphasizes the idea of food and storage as a means toward transmutation and mystery\, a search for permanence while acknowledging the inevitability of change.
URL:https://dulmanngalleries.berea.edu/event_cal/ferment-by-philip-wiggs/
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2015/09/05-PhilipWiggs.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20150909T080000
DTEND;TZID=UTC:20151009T170000
DTSTAMP:20260619T223517
CREATED:20160506T073249Z
LAST-MODIFIED:20240205T004923Z
UID:691-1441785600-1444410000@dulmanngalleries.berea.edu
SUMMARY:Being of These Hills by Roger May
DESCRIPTION:Artist Statement:\nI began making photographs back home as a way to document mountaintop removal coal mining. Be it naiveté or an honest-to-god belief that I could somehow be part of ending this disastrous practice; I thought I could make photographs that would be convincing enough to grind those wheels to a halt. I came to realize that I was up against giant issue that wasn’t as black and white as I wanted it to be and that if real change were to come about\, it would be far slower than I was prepared to work through. Frustrated and wandering\, I began to photograph the things and places of home that were familiar to me that connected me to a time when I never thought about leaving.\nCollectively\, these photographs are a visual love letter to Appalachia\, the land of my blood. This is my testimony of how I came to see the importance of home and my connection to place. After moving away as a teenager\, I’ve struggled to return\, to latch on to something from my memory. These images are a vignette into my working through the problem of the construction of memory versus reality. My work embraces the raw beauty of the mountains while keeping at arms length the stereotypical images that have tried to define Appalachia for decades. It isn’t that stereotypes aren’t true; they’re just not the whole truth.\nI am both an insider and an outsider and though I maintain a safe distance in my photographs\, I attempt to invite you into the intimacy of family\, of sacred space. My work is my bearing witness of a personal journey\, of never truly being able to go home again\, to seek answers from my ancestral home. Appalachia testifies of timelessness and natural beauty. The mountains testify of protection and sanctuary and at the same time the horrible destruction of mountaintop removal mining. The people of Appalachia testify of their pride and resilience. Old time religion testifies of the power in the blood and a heavenly home just across the shore.\nMy grandfather told me that I have two ears and one mouth\, which means that I should listen twice as often as I speak. Through these images\, I’ve tried to do just that – to listen more than I speak\, both with my voice and my cameras. These images arise out of my pride of where I am from and where I am of\, and an enduring love for Appalachia.
URL:https://dulmanngalleries.berea.edu/event_cal/being-of-these-hills-by-roger-may/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2015/09/04-Roger-May-Glory-KY.jpeg
END:VEVENT
END:VCALENDAR