• Decomposing the Monument of the Third International

    Lower Traylor Gallery

    Decomposing the Monument to the Third International is an interactive art project that considers how the practices of art, food, and education might be drawn together in order to plug some of the microflows of capital distribution. The hope is to encourage a rising-up of human essence that is based on creating networks of survival whereby the fulfillment of our most basic needs opens-up [...]

  • Representing Race

    Rogers Gallery

    This exhibit is focusing on depictions of race in art. It will be curated by Meghan Doherty's students in ARH 263, Introduction to Museum Studies. Robert Blum, Negro Settlement (detail), watercolor on paper, 6 7/8"x 9 1/2", 19th c. Gift of Mrs. Charles Sprague-Smith

  • Horizon Line

    Upper Traylor Gallery

    While I am influenced by the southern tradition of narrative figure painting, my work focuses mainly on drawing. My drawings have paint, of course, but they are not really paintings—the drawn line is what tells the tale. I use painting and mixed media elements enhance the mark making, and reassert the shallow space of the picture plane. The pops [...]

  • Ritual

    Rogers Gallery

    My ceramic vessels portray spirituality and are influenced by symbols in religious architecture.  Inspirations include Islamic temples and mosques and architecture of the Czech Republic that are topped with domes, spires and finials. Luxury or ceremonial wares that were originally made to reside in holy or other culturally significant edifices are also an influence. Such examples include Islamic metalwork [...]

  • Daydreaming in an Open Land

    Lower Traylor Gallery

    My drawings and paintings document how I grew into my Vietnamese-American identity. In my work, I reflect on themes of growth, integration, and reconciliation. These paintings combine Eastern and Western traditions of depicting nature to describe a space that is as much emotional as it is physical. This space, at once thunderous, mysterious, and hopeful, mirrors the refugee experience [...]

  • Words Walking

    Upper Traylor Gallery

    As a child, I learned Japanese calligraphy at school. When I was growing up, I watched my father, a calligrapher, practicing and saw how he approached his work. We talked about the meaning behind each proverb he was writing or about his practice itself.We still do. Together with Sumi-e (Japanese ink painting), Japanese calligraphy has become an activity that immediately [...]

  • Brush, Ink, Line: Calligraphy of Japan

    Rogers Gallery

    Selected from the Berea College Art Collection, Brush, Ink Line: Calligraphy of Japan focuses on presenting the tools, artworks, writings, and poetry that encompass Japanese calligraphy. Many of these objects were given to the College by women who spent time in Japan. Generally, calligraphy is thought of as penmanship, simply a way of communication for [...]