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DTSTART;VALUE=DATE:20240131
DTEND;VALUE=DATE:20240316
DTSTAMP:20260406T180458
CREATED:20240129T160540Z
LAST-MODIFIED:20240830T021019Z
UID:2918-1706659200-1710547199@dulmanngalleries.berea.edu
SUMMARY:Kate Roberts: in care of
DESCRIPTION:
URL:https://dulmanngalleries.berea.edu/event_cal/kate-roberts-in-care-of/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2024/01/Roberts1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240124
DTEND;VALUE=DATE:20240302
DTSTAMP:20260406T180458
CREATED:20231215T193934Z
LAST-MODIFIED:20240416T165420Z
UID:2867-1706054400-1709337599@dulmanngalleries.berea.edu
SUMMARY:Samuel L. Dunson\, Jr.: Actions Affirmed
DESCRIPTION:
URL:https://dulmanngalleries.berea.edu/event_cal/samuel-l-dunson-jr-actions-affirmed/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/10/6323.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231101
DTEND;VALUE=DATE:20231207
DTSTAMP:20260406T180458
CREATED:20231106T211733Z
LAST-MODIFIED:20240129T064741Z
UID:2758-1698796800-1701907199@dulmanngalleries.berea.edu
SUMMARY:Intimacy: Photographs from the Collection of Joseph Goins
DESCRIPTION:The black and white photographs featured in this exhibition present images of intimacy\, examining the spiritual\, emotional\, physical\, intellectual and experiential aspects of this essential component of the human experience. A gesture\, a touch\, bodies leaning into one another; a white sun above the Pacific Ocean; a nude self-portrait hidden in the branches of a tree… how is intimacy revealed? Featuring works from the early twentieth century through the present\, Goins’ collection invites a deep questioning into our humanity and our being. \nClick here for details about the opening reception of Intimacy: Photographs from the Collection of Joseph Goins\, which will include a talk with Berea College graduate Joseph Goins (Class of 1986). The talk will take place in Presser Hall 128\, just across the street from the Doris Ulmann Galleries\, with a reception afterwards at the Galleries with snacks and refreshments. All are welcome; no RSVP required!
URL:https://dulmanngalleries.berea.edu/event_cal/intimacy-photographs-from-the-collection-of-joseph-goins/
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/10/5.-Prom-Holidaysberg-Pa.1992-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231025
DTEND;VALUE=DATE:20231207
DTSTAMP:20260406T180458
CREATED:20231106T210523Z
LAST-MODIFIED:20240129T065108Z
UID:2756-1698192000-1701907199@dulmanngalleries.berea.edu
SUMMARY:Sketch: Contemporary Artists in Conversation with Emily Grace Hanks
DESCRIPTION:The Berea College Art Collection is home to over 250 artworks by Emily Grace Hanks (American\, 1886-1962)\, an artist\, educator\, and inventor who specialized in observational drawing\, painting\, and illustration. Though Hanks or her work isn’t well-known today\, her career was extremely multifaceted and provides an excellent case study of the pathways that were available to aspiring women artists during this era. In the summer of 2023\, Sara Olshansky and Esther Sitver\, two artists from the region who also specialize in observational modes of drawing and painting\, were invited to the Doris Ulmann Galleries as part of an extended artist residency. Working alongside the Galleries team\, Olsansky and Sitver studied Hanks’ work and archival materials housed in the BCAC and created a series of artworks in response to what they found. The resulting artworks – and the exhibition as a whole – explore the connections that can be made between artists across time and raise questions about what it means to leave an artistic “legacy.” What can we find when we look to the past? What can an archive reveal… and what does it leave obscured? And how can we fill in the gaps? \nClick here for details on our Artist Talk with Artists Sara Olshansky and Esther Sitver will join the Doris Ulmann Galleries staff to discuss their work and the collaborative curatorial process behind the exhibition\, Sketch: Contemporary Artists in Conversation with Emily Grace Hanks\, which will be open in the Lower Traylor Gallery from October 25 to December 6. \nSara Olshansky is a draughtsperson and 2D media artist based in Louisville\, Kentucky. She graduated from Hite Art Institute at the University of Louisville in 2018 with two degrees in 2D Studio Art and Art History\, and a minor in Spanish Language. She has received numerous awards and grants in support of her research and travels\, and her work is featured in several public collections as well as private collections across the U.S. Olshansky is interested in exploring addition and erasure of imagery on a single picture plane and how this technique might mirror construction and perception of lived experience and memory. \nEsther Sitver is a Knoxville\, Tennesee-based illustrator who merges vintage aesthetics with contemporary progressive ideas and humor. Her artwork explores the observable world through the female gaze. Her love for traditional pen and ink drawing pulls together her specialties: portraiture and figure drawing\, editorial illustration\, pattern design\, and plein air painting. Sitver earned a BFA in Illustration from the Ringling College of Art + Design in 2020 and currently works as a freelance artist and for the Knoxville Museum of Art. Sitver has exhibited her work around the southeast\, with recent exhibitions at The Emporium and Rala (both in Knoxville\, TN). When she’s not scribbling\, she can be found rollerskating and hiking around East Tennessee. \nClick through the slideshow below to view some of the works featured in Sketch: Contemporary Artists in Conversation with Emily Grace Hanks: \nThis slideshow requires JavaScript.
URL:https://dulmanngalleries.berea.edu/event_cal/sketch-contemporary-artists-in-conversation-with-emily-grace-hanks/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/10/140_D_268_original_1-copy-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230913
DTEND;VALUE=DATE:20231021
DTSTAMP:20260406T180458
CREATED:20230816T210914Z
LAST-MODIFIED:20240129T065450Z
UID:2722-1694563200-1697846399@dulmanngalleries.berea.edu
SUMMARY:Meredith Setser: Immaculate Crude
DESCRIPTION:Meredith Setser\, a fibers artist and art professor at Indiana University\, creates large-scale abstract textile works composed of handmade felt that explore the current cultural landscape figuratively. On a visual level\, the works in Meredith Setser: Immaculate Crude reference the history of textile craft and Setser’s interests in geology and ecological sciences. Setser’s work will be on view through Friday\, October 20\, and she’ll be on campus that day to give an artist talk and felting demonstration for the closing reception. \nClick here for more details about our Artist Talk with Meredith Setser in conjunction with the closing reception for the exhibition\, “Meredith Setser: Immaculate Crude\,” which is on view at the Doris Ulmann Galleries through Friday\,October 20. Setser’s large-scale fiber installations incorporate handmade felt and draw inspiration from geological forms and human interactions with the natural environment. She’ll also give a felting demonstration as part of her talk. \nRefreshments and snacks will be available after the talk. This event is free and open to the public. No RSVP necessary.
URL:https://dulmanngalleries.berea.edu/event_cal/meredith-setser-immaculate-crude/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/08/mosaicdet-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230906
DTEND;VALUE=DATE:20231014
DTSTAMP:20260406T180458
CREATED:20230816T210533Z
LAST-MODIFIED:20240129T065707Z
UID:2721-1693958400-1697241599@dulmanngalleries.berea.edu
SUMMARY:Margo Duvall & Katherine Strause: Around and Around Again
DESCRIPTION:Capturing ordinary moments with wit\, sentiment\, and tenderness\, the artworks on view in “Around & Around Again” welcome us into conversation about the circularities of human experience that transcend both time and individual circumstance: the moments of full freedom felt by children at play; the liminal space between adolescence and adulthood; the associations of ‘home’ that can be both fond and difﬁcult; the strength we gain from a supportive sisterhood. \nMargo Duvall and Katherine Strause are both nationally recognized and awarded artists and educators from Little Rock\, Arkansas. Duvall (Assistant Professor of Photography\, University of the Ozarks) and Strause (Retired Chair and Professor of Painting\, Henderson State University) share an interest\, in both their pedagogical and professional practices\, in exploring personal narrative as expressed through ephemera and found imagery.
URL:https://dulmanngalleries.berea.edu/event_cal/margo-duvall-katherine-strause/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/08/Strause_The-Mentor.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230906
DTEND;VALUE=DATE:20240314
DTSTAMP:20260406T180458
CREATED:20230816T205607Z
LAST-MODIFIED:20240830T021052Z
UID:2720-1693958400-1710374399@dulmanngalleries.berea.edu
SUMMARY:Abstraction / Pattern / Geometry / Design
DESCRIPTION:ABSTRACTION / PATTERN / GEOMETRY / DESIGN highlights a curated selection of over 60 artworks from the Berea College Art Collection that showcase how artists and makers utilizing different styles\, methods\, places\, and time periods have relied on and experimented with abstraction\, pattern\, geometry\, and design in their work\, to different ends and for varying purposes. This exhibition will run through mid-March.
URL:https://dulmanngalleries.berea.edu/event_cal/abstraction-pattern-geometry-design/
LOCATION:Masterpiece Gallery\, Berea\, KY\, United States
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/08/Sam-Gilliam-In-Celebration.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230411
DTEND;VALUE=DATE:20230504
DTSTAMP:20260406T180458
CREATED:20230331T163020Z
LAST-MODIFIED:20240129T070117Z
UID:2642-1681171200-1683158399@dulmanngalleries.berea.edu
SUMMARY:dis/comfort: Senior Exhibition
DESCRIPTION:The annual Senior Exhibition showcases bodies of work made by graduating Studio Art majors. This year\, “dis/comfort: Senior Exhibition” features pieces of mixed media\, paintings\, prints\, and handmade books.  The exhibition will be open from Tuesday\, April 11\, through Wednesday\, May 3. A reception with artist talks and snacks will be held Wednesday\, April 26\, 3:30-5:00\, in the Rogers-Traylor Art Building.  \nClick on the names below to explore our graduating seniors’ virtual showcases! \nElsa Black \nShaylee Hall \nAbry Reeder \nBetsy Schley \nLiv West \nMegan Woolverton
URL:https://dulmanngalleries.berea.edu/event_cal/dis-comfort-senior-exhibition/
LOCATION:Upper & Lower Trayor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/03/Screenshot-2023-03-31-at-12.27.45-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230227
DTEND;VALUE=DATE:20230304
DTSTAMP:20260406T180458
CREATED:20230228T132904Z
LAST-MODIFIED:20240129T070553Z
UID:2632-1677456000-1677887999@dulmanngalleries.berea.edu
SUMMARY:Student Pop-Up Exhibit: Abryanna Reeder & Ellen Schley
DESCRIPTION:For one week only starting on Monday\, February 27\, Art students Abryanna Reeder (Class of 2023) and Ellen Schley (Class of 2024) are exhibiting work in the Dorothy Tredennick Student Gallery. On view through Friday\, March 3\, these artworks were created last semester in Prof. Dan Fineberg’s Sculpture and Intermedia course. The Tredennick Gallery is located to the right of the reception desk on the “Traylor” side of the Rogers-Traylor Art Building. \nAbryanna Reeder is an Art major from the foothills of Appalachia in the northeastern region of Kentucky. She is committed to finding ways to incorporate her knowledge of the land\, farming\, and place attachments into her art. \nEllen Schley is a junior Art major from Sterling\, Ohio. She is interested in making art that can be interacted with and experienced by the audience.
URL:https://dulmanngalleries.berea.edu/event_cal/student-pop-up-exhibit-abryanna-reeder-ellen-schley/
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/02/Pop-Up-Abry-Ellen.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20230222T080000
DTEND;TZID=America/Kentucky/Louisville:20230324T170000
DTSTAMP:20260406T180458
CREATED:20230228T132611Z
LAST-MODIFIED:20240129T070634Z
UID:2631-1677052800-1679677200@dulmanngalleries.berea.edu
SUMMARY:Leslie Smith & Katie Wigglesworth: Unusual Care
DESCRIPTION:“Leslie Smith & Katie Wigglesworth: Unusual Care” presents a collaborative body of work by printmaker and book artist Leslie Smith and textile artist Katie Wigglesworth. Made in response to research they completed at The Penland School of Craft about settlement schools and the revival of craft\, the artworks featured in this exhibition investigate the great leap it takes both to start a craft school and be an artist in difficult times. This exhibition will be on view through March 24\, and Smith and Wigglesworth will be giving an artist talk in the Upper Traylor Gallery at 3:00 on Tuesday\, March 21.
URL:https://dulmanngalleries.berea.edu/event_cal/leslie-smith-katie-wigglesworth-unusual-care/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/02/Berea3-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20230118T080000
DTEND;TZID=America/Kentucky/Louisville:20230317T170000
DTSTAMP:20260406T180458
CREATED:20230123T202816Z
LAST-MODIFIED:20240129T070800Z
UID:2618-1674028800-1679072400@dulmanngalleries.berea.edu
SUMMARY:Hanna Vogel: Cradling
DESCRIPTION:“Hanna Vogel: Cradling” will be on view starting January 18 through Friday\, March 17\, in the Lower-Traylor Gallery on the first floor of the Rogers-Traylor Art Building. Hanna Vogel is a Philadelphia-based artist and educator who works with paper pulp and steel write to create unfamiliar forms and textures that evoke the tenuousness of natural lifecycles. The works on view in “Cradling” explore various responses to the effects of climate change on our daily lives and moods with references to fairy tales\, picture books\, microscopic fungal species\, and methods of escape.  The artist will be giving a virtual artist talk on Wednesday\, March 15\, which will be screened alongside an in-person reception in the Rogers-Traylor Art Building. Watch our social media channels for a Zoom link. 
URL:https://dulmanngalleries.berea.edu/event_cal/hanna-vogel-cradling/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2022/12/Vogel-Rites-of-Passage.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20230111T080000
DTEND;TZID=America/Kentucky/Louisville:20230217T170000
DTSTAMP:20260406T180458
CREATED:20230123T202440Z
LAST-MODIFIED:20240129T070848Z
UID:2617-1673424000-1676653200@dulmanngalleries.berea.edu
SUMMARY:Molly Jo Burke and Nathan Gorgen: What's Worth Keeping
DESCRIPTION:Molly Jo Burke & Nathan Gorgen: What’s Worth Keeping is on view in the Rogers Gallery through February 17 in Rogers Gallery. What’s Worth Keeping showcases a series of artworks made in collaboration by Molly Jo Burke\, a glass and interdisciplinary artist\, and Nathan Gorgen\, a sculptor\, wood worker\, and digital fabrication specialist. Together\, the artist couple utilizes the excess materials that are found or left over from their individual artistic practices\, their daily lives\, and the natural and built environments they encounter. The resulting artworks are whimsical creations that challenge the viewer to reconsider their own environment and the things we use or discard daily and ask\, “What is worth keeping?” The artists will be at Berea College on Friday\, February 17\, for an artist talk and closing reception at 12:00pm in the Rogers Gallery. 
URL:https://dulmanngalleries.berea.edu/event_cal/molly-jo-burke-and-nathan-gorgen-whats-worth-keeping/
LOCATION:Rogers Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2022/09/006b_Lavatorium-Monstrance-Aspersorium-detail-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20230111T080000
DTEND;TZID=America/Kentucky/Louisville:20230211T170000
DTSTAMP:20260406T180458
CREATED:20230123T201957Z
LAST-MODIFIED:20240129T070922Z
UID:2615-1673424000-1676134800@dulmanngalleries.berea.edu
SUMMARY:Katie Hargrave: Flag Waving
DESCRIPTION:Katie Hargrave: Flag Waving is now open in the Upper Traylor Gallery and will be on view through Friday\, February 10. Hargrave is a multimedia artist based in Chattanooga\, Tennessee\, whose work incorporates materials and processes as a way to explore\, deconstruct\, and decode U.S. politics and environmental movements. Hargrave makes projects using a variety of forms — installations\, publications\, videos\, fiber works\, and interactive experiences – and several examples of these diverse artistic practices are included in Flag Waving. Katie Hargrave will be at Berea College to host an artist talk on Wednesday January 11 at 12:00 in Rogers-Traylor Art Building\, room 210\, followed by a Q&A in the Upper Traylor Gallery.  \n  \n  \n 
URL:https://dulmanngalleries.berea.edu/event_cal/katie-hargrave-flag-waving/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2022/09/Iyieldthefloor1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20221102T080000
DTEND;TZID=America/Kentucky/Louisville:20221211T170000
DTSTAMP:20260406T180458
CREATED:20220915T205622Z
LAST-MODIFIED:20240131T204339Z
UID:2577-1667376000-1670778000@dulmanngalleries.berea.edu
SUMMARY:Michael Reedy: Prodigious Piffle
DESCRIPTION:Michael Reedy is a multimedia artist based in Ann Arbor\, Michigan\, whose work focuses on representing the human figure in ways that lie outside of art historical tradition. The large-scale artworks in Prodigious Piffle pull from imagery one might see in cartoons or anatomical illustrations like those found in medical textbooks\, and all serve\, as Reedy says\, “to underscore the comedic tragedy of physical existence\, as well as the frailties that increasingly define our sense of self as we age.”
URL:https://dulmanngalleries.berea.edu/event_cal/michael-reedy-prodigious-piffle/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2022/09/Reedy-Death_of_the_Night-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221026T080000
DTEND;TZID=UTC:20221211T170000
DTSTAMP:20260406T180458
CREATED:20220920T193549Z
LAST-MODIFIED:20240131T204410Z
UID:2583-1666771200-1670778000@dulmanngalleries.berea.edu
SUMMARY:Benjamin Cirgin: re-(c)leave
DESCRIPTION:Benjamin Cirgin is a multi-media artist currently serving as the Ceramics Area Head and Assistant Professor of Ceramics at Eastern Kentucky University in the Department of Art and Design. The works on view in re-(c)leave are inspired in part by Cirgin’s experience working as a designer\, carpenter\, cabinet maker\, stone fabricator\, art preparator\, and life negotiator. He merges this background with his ceramic process to create abstract forms and casts of significant objects\, functional pottery\, and multi-medium constructed scenes.
URL:https://dulmanngalleries.berea.edu/event_cal/benjamin-cirgin-re-cleave/
LOCATION:Rogers Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2022/09/3C9A5C08-4379-4C5E-86D7-548E9DD7AF2B-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220907T080000
DTEND;TZID=UTC:20230504T170000
DTSTAMP:20260406T180458
CREATED:20220915T203806Z
LAST-MODIFIED:20240131T204447Z
UID:2572-1662537600-1683219600@dulmanngalleries.berea.edu
SUMMARY:Rediscover: Highlights from the Berea College Art Collection
DESCRIPTION:The artworks and artifacts on display in Rediscover\, located in the Dimitrie Berea and Masterpiece galleries\, celebrate the much-anticipated reopening of the Doris Ulmann Galleries. Each object was carefully selected to showcase the richness and depth of Berea College’s permanent art collection\, which contains more than 15\,000 objects that represent over 5\,000 years of human creation\, from the ancient world to our present day.   \n\n\nAs we welcome visitors from our campus community and from afar to return to the art museum for the first time since March 2020\, we hope you will find joy in seeing familiar\, longtime favorites of the permanent collection and in discovering new gems amongst the never-before-seen works and recent acquisitions on view. While making visible connections across cultures\, these artworks also engage in a dialogue that underscores the unique history of the museum\, supports the teaching mission of the Art and Art History Department\, and reflects the values of the Great Commitments of Berea College. 
URL:https://dulmanngalleries.berea.edu/event_cal/rediscover-highlights-from-the-berea-college-art-collection/
LOCATION:Dimitrie Berea Gallery & Masterpiece Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2022/09/140_O_95_original_1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20220418T080000
DTEND;TZID=America/Kentucky/Louisville:20220506T170000
DTSTAMP:20260406T180458
CREATED:20220416T225736Z
LAST-MODIFIED:20240131T204559Z
UID:2480-1650268800-1651856400@dulmanngalleries.berea.edu
SUMMARY:2022 Graduating Seniors Virtual Exhibition
DESCRIPTION:This year\, we will be celebrating the outstanding work of our graduating seniors in a virtual and in-person exhibition! The virtual reception and Artist Talk will take place via Zoom on Friday\, April 29th at 5 p.m. Or visit us in-person at the Upper and Lower Traylor Galleries to see the artist’s works for an immersive experience! \nClick on the names below to explore our graduating seniors’ virtual showcases! \nJulia Coffman \nJose Ramos Macias \nGrace Reasor \nKatie Roach \nBrianna Ward \nSean Zechar
URL:https://dulmanngalleries.berea.edu/event_cal/2022-graduating-seniors-virtual-exhibition/
LOCATION:Upper & Lower Trayor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/03/Final-Draft-SeniorShow2022.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20220118
DTEND;VALUE=DATE:20220326
DTSTAMP:20260406T180458
CREATED:20211202T183254Z
LAST-MODIFIED:20240131T204637Z
UID:2323-1642464000-1648252799@dulmanngalleries.berea.edu
SUMMARY:How do you solve a problem like Sadigh?
DESCRIPTION:Curated by students in ARH 263: Introduction to Museum Work\, this exhibition has both virtual and in-person components. You can explore the exhibition here as well as in the Upper Traylor Gallery. Either way\, share your thoughts about the objects and the unraveling story of the Sadigh Gallery’s forgeries in the comments sections for each object.
URL:https://dulmanngalleries.berea.edu/event_cal/sadigh/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2021/11/2003-08-1-new.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20210507
DTEND;VALUE=DATE:20210612
DTSTAMP:20260406T180458
CREATED:20210421T125851Z
LAST-MODIFIED:20240131T204847Z
UID:2244-1620345600-1623455999@dulmanngalleries.berea.edu
SUMMARY:2021 Graduating Seniors Virtual Exhibition
DESCRIPTION:Due to the ongoing COVID-19 pandemic\, our galleries remain closed. This year we are celebrating the outstanding work of our graduating seniors in a virtual exhibition. \nVirtual Opening \nMay 7\, 5pm via Zoom \nVisit the pages below to explore our graduating seniors’ art:\nSharonda Nix \nNhan Phan \nJose Socarras \nShaina Stewart \nHeidi Stetzer \nRachel Williamson
URL:https://dulmanngalleries.berea.edu/event_cal/2021seniors-virtual-exhibition/
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2021/04/Postcard_2021.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20200409T080000
DTEND;TZID=America/Kentucky/Louisville:20200812T170000
DTSTAMP:20260406T180458
CREATED:20200622T183030Z
LAST-MODIFIED:20240131T204924Z
UID:2211-1586419200-1597251600@dulmanngalleries.berea.edu
SUMMARY:Graduation Exhibition for Art Majors
DESCRIPTION:Title\nGraduating Berea College Art Majors \nIn light on the Galleries close as part of Berea College’s COVID-19 response\, we have created an online exhibition for our 2020 graduating seniors: \nhttps://bcseniorart2020.omeka.net/
URL:https://dulmanngalleries.berea.edu/event_cal/graduation-exhibition-for-art-majors-2/
LOCATION:Upper & Lower Trayor Gallery
CATEGORIES:Past Exhibit
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20200309T080000
DTEND;TZID=America/Kentucky/Louisville:20200503T170000
DTSTAMP:20260406T180458
CREATED:20191115T164743Z
LAST-MODIFIED:20240131T205653Z
UID:2205-1583740800-1588525200@dulmanngalleries.berea.edu
SUMMARY:I Am/You Are
DESCRIPTION:I Am/You Are\nTia Blassingame \nI utilize printmaking in the book form to address issues of race and of racism in the United States. I am interested in how racism has warped our perception and has melted into our vocabulary\, social structure\, and our urban landscape. I grapple with such questions as who owns opinion and memory and who is authorized to bear witness? \nEmploying a mixture of poetry\, typography\, printmaking techniques like etching\, screenprinting lithography\, letterpress printing\, and book arts endeavors including papermaking and bookbinding\, I examine African American architectural\, spatial and cultural history\, racial prejudices and perception. As many of my pieces deal with historical racism\, I employ period typefaces to create a look and ambience that transports the viewer to the appropriate era. Because of its tactile nature and deep impression on the page\, letterpress printing invites the viewer to connect immediately and then dissect the text and images slowly. \nDisturbing images and histories rendered using wooden or metal letters or an etching plate can be atmospheric and intriguing. Instead of repelling the viewer\, artists’ books can allow for a nuanced discussion on issues of race to unfold with each page turn. The reader/viewer can locate themselves within the book as they create their own path to view and connect deeply with the the book\, its text and prints\, history itself. \nTia Blassingame will also be giving an artist talk on her exhibition in the gallery. \n  \nExhibition Run: March 9 – May 3\nArtist Talk: Thursday\, March 26\, at 4:30pm \nImage: Proofing I Am artist’s book
URL:https://dulmanngalleries.berea.edu/event_cal/i-am-you-are/
LOCATION:Rogers Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/11/blassingame2020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20200224T080000
DTEND;TZID=America/Kentucky/Louisville:20200326T170000
DTSTAMP:20260406T180458
CREATED:20191115T163923Z
LAST-MODIFIED:20240131T213611Z
UID:2203-1582531200-1585242000@dulmanngalleries.berea.edu
SUMMARY:Time Marked
DESCRIPTION:Time Marked\nJelena Berenc \nThe show explores Being-in-time while passing through time\, by marking quantized moments. Within each quantized moment a universe of events are created and ended. Each mark on the drawing reflects upon particular event and collectively creates the piece\, which provokes an awareness of a very specific social\, somatic\, or scientific truth/issue through and in time. \nExcessive repetition of minuscule drawing elements\, are used to create larger works of art encompassing an overarching idea or fact. Most pieces contain tens to hundreds of thousands and even millions of particularly chosen drawing elements. The most fundamental materials are used\, like pencil on paper\, so that the focus can center on the idea and its execution process. \n  \nExhibition Run: February 24 – March 26 \nImage: Mark-in-time\, Pencil and radiograph pen on paper\, 2017-2018\, 2 1/2″ x 2 1/2″ each
URL:https://dulmanngalleries.berea.edu/event_cal/time-marked/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/11/IMG_2239.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20200224T080000
DTEND;TZID=America/Kentucky/Louisville:20200320T170000
DTSTAMP:20260406T180458
CREATED:20200127T195959Z
LAST-MODIFIED:20240131T214139Z
UID:2201-1582531200-1584723600@dulmanngalleries.berea.edu
SUMMARY:In Flux: Juried Exhibition of the South Eastern Fibers Educators' Association
DESCRIPTION:In Flux: Juried Exhibition of the South Eastern Fibers Educators’ Association \n“For a working artist\, an exhibition acts as a checkpoint – not an end necessarily\, but a pause in action. This SEFEA exhibition resulted from ongoing conversations\, careful examination of each other’s art\, and the joyful discovery  of our intersecting and overlapping directions. These were found not only in fiber techniques and processes\, but in our ideas\, concerns\, and driving concepts. This exhibition theme developed from the language we use to describe what we strive to achieve visually and what we hope others will experience in dialogue with our art. As a group\, we conscientiously create an environment that supports ongoing conversation and creative development. \nIn Flux is an exhibition of art works curated around the central idea of change and reflection\, it acknowledges those came before us and anticipates those who will come after us. The exhibition is intended to bring together art that explores and asks a range of questions from a variety of approaches. It travels from school to school\, because the individuals in this group are spread among schools throughout the region. It teaches because we as individuals teach.” \n— Lisa L. Kriner\, Professor of Art\, Fibers and Printmaking at Berea College \n  \n“When the many parts of a textile come together\, they create a structure that has both flexibility and integrity. The works exhibited by SEFEA members demonstrate the vast technical and emotional capabilities of fiber art. They show how the can stretch and bend\, without rupture\, to contain many individual approaches within a single community. The ongoing discussions from SEFEA meetings\, the relationships that have formed as a result of the association\, and the work that has been made and shared through forum of yearly meetings\, all speak to the connections made possible through fiber art practice.” \n— Amanda Thatch\, Textile Artist & Studio Coordinator for Textiles and Drawing/Painting at Penland School of Craft 2014-2018 \n  \nFor an opportunity to speak with some of the artists involved in this installation\, there will be a panel discussion on Tuesday\, February 25 at 10:00AM in the Lower Traylor Gallery consisting of Lisa Kriner\, Crystal Gregory\, Cathryn Amidei\, and Erin Miller. \n  \nArtist Panel Discussion: Tuesday\, February 25 at 10:00AM\nExhibition Run: February 24 — March 20 \nImage: SEFEA logo
URL:https://dulmanngalleries.berea.edu/event_cal/in-flux-juried-exhibition-of-the-south-eastern-fibers-educators-association/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/11/SEFEAlogoBG-01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20200121T080000
DTEND;TZID=America/Kentucky/Louisville:20200220T170000
DTSTAMP:20260406T180458
CREATED:20240131T205218Z
LAST-MODIFIED:20240205T010802Z
UID:2199-1579593600-1582218000@dulmanngalleries.berea.edu
SUMMARY:Modern by Nature: Elenhank Textiles from the Berea College Art Collection
DESCRIPTION:Modern by Nature: Elenhank Textiles from the Berea College Art Collection\nCurated by Molly Baker \n  \nExhibition Run: January 21 – February 20 \nImage: Elenhank Designers\, Inc.\, Borealis\, 1976\, screen printed fabric\, 46 1/2″ x 83″
URL:https://dulmanngalleries.berea.edu/event_cal/modern-by-nature-elenhank-textiles-from-the-berea-college-art-collection/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2024/01/2019_01_09_original_1-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20200121T080000
DTEND;TZID=America/Kentucky/Louisville:20200220T170000
DTSTAMP:20260406T180458
CREATED:20191115T161743Z
LAST-MODIFIED:20240131T214223Z
UID:2197-1579593600-1582218000@dulmanngalleries.berea.edu
SUMMARY:Re-Reading and Other Bookish Desires
DESCRIPTION:Re-Reading and Other Bookish Desires\nSuzanne Dittenber \nDittenber’s works engage in the dialectics of space—books shaped by their histories and contexts. Indications of domestic furniture and interiors allow for intimacy to take shape\, culling memories in relationship to reading. Paintings and sculptures of books carrying blemishes and imperfections demonstrate a history of receptivity to nuance and a sensitivity to touch and environment. Like an attentive listener\, these works are both responsive and wistful. And yet\, through a separation from specific sources\, the information that would normally connect us to universal ideas is absent. Her books become a blank slate onto which we can project our desires. Waterlines and dog-ears\, evidence of a personal rapport with materiality\, add trace amounts of mystery to cherished stories placed in literal and metaphorical cradles of collective knowledge found in our institutions and on our bed stands. \n  \nExhibition Run: January 21 – February 20 \nImage: Pink Spine\, Oil on canvas\, 2018\, 36″ x 24″
URL:https://dulmanngalleries.berea.edu/event_cal/re-reading-and-other-bookish-desires/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/11/Dittenber-PINK-SPINE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20200113T080000
DTEND;TZID=America/Kentucky/Louisville:20200227T170000
DTSTAMP:20260406T180458
CREATED:20191206T150506Z
LAST-MODIFIED:20240131T214421Z
UID:2188-1578902400-1582822800@dulmanngalleries.berea.edu
SUMMARY:Across the Space Separating
DESCRIPTION:Across the Space Separating\nKiana Honarmand \nI am a Middle Eastern woman living and working in the United States. My creative work address issues related to my cultural identity. I explore the space between the imagery from my cultural background and the Western ideals of my foreground. This is my hybrid portrayal of Middle Eastern and European art where two parts of my identity merge during this time-period in which these two cultures clash. \nMy work is a commentary on sociopolitical issues related to my life in Iran\, such as censorship and violation of women’s rights\, as well as\, the Westerners perception of the Middle East. These issues have deeply affected my life and many others. I talk about the censorship I grew up with by obscuring images from art history. I talk about contemporary incidents such as stoning\, acid attacks against women\, and imprisonment of women’s rights activists. Growing up in Iran\, I felt stuck between tradition and modernity\, as did many other people in my generation. Iran had already become westernized before the 1979 revolution changed the culture to a more religious and traditional one. \nMy work is influenced by my status as female growing up in the Middle East\, who is currently living in the United States. I consider myself a conceptually based artist. In the process of creating my work\, I make all my aesthetic and technical decisions based on my concept and ideas. I use different digital fabrication technologies such as Laser Cutters\, CNC Routers\, 3D Scanners and 3D printer\, in combination with the traditional methods of craft. \nHonarmand will also be giving an artist talk in the galleries for the opening of her exhibition. \n  \nExhibition Run: January 13 – February 27\, 2020\nArtist Talk: Tuesday\, January 14\, at 5:00pm \nImage: Decorum\, 2016\, Installation View
URL:https://dulmanngalleries.berea.edu/event_cal/across-the-space-separating/
LOCATION:Rogers Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/10/Honarmand_18.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20191104T080000
DTEND;TZID=America/Kentucky/Louisville:20191213T170000
DTSTAMP:20260406T180458
CREATED:20200212T192943Z
LAST-MODIFIED:20240131T214455Z
UID:2179-1572854400-1576256400@dulmanngalleries.berea.edu
SUMMARY:Historical Portraits from the Berea College Art Collection
DESCRIPTION:Historical Portraits from the Berea College Art Collection\nCurated by the students in Art History 263 \nABSTRACT \n  \nExhibition Run: November 4 – December 13\, 2019 \nImage: Robert Nanteuil (French\, 1623-1678)\, Portrait of John Evelyn\, Engraving\, 1650\, 7 1/4″ x 10 3/4″\, Gift of Ross W. Sloniker\, 180.N.87
URL:https://dulmanngalleries.berea.edu/event_cal/historical-portraits-from-the-berea-college-art-collection/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/09/18107_ca_object_representations_media_9055_medium.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20191028T080000
DTEND;TZID=America/Kentucky/Louisville:20200201T170000
DTSTAMP:20260406T180458
CREATED:20190917T152945Z
LAST-MODIFIED:20240131T214542Z
UID:2170-1572249600-1580576400@dulmanngalleries.berea.edu
SUMMARY:Sharing Space with Authority: Proposals for Installing the Berea College Presidential Portraits
DESCRIPTION:Sharing Space with Authority: Proposals for Installing the Berea College Presidential Portraits \nA seemingly simple task\, to reinstall the Berea College presidential portraits\, is actually wrapped up in a complicated dialogue –one that does not exist solely on college campuses\, but in museums\, academic buildings\, and public spaces nationally and globally. How do we make every person who encounters a space feel welcome? How do we return spaces to those who had said spaces taken from them? Internationally\, monuments are being toppled\, murals are being covered\, and buildings are being renamed in response to these questions. Careful consideration of this dialogue has led us to think critically about the reinstallation of our own presidential portraits. Being hung on the wall of a building can give the portraits power over the surrounding space\, and\, as numerous interviews have revealed\, this power dynamic creates an unwelcoming atmosphere for some students\, faculty\, staff\, and visitors more broadly. \nIn order to begin the process of answering these difficult questions\, we will be holding a community event in the Berea College Alumni Building’s Baird Lounge. During this event\, we welcome and encourage community members\, whether that be the college community or community of the surrounding area\, to give us your thoughts on how you feel in such a space and what you would want done with these portraits. \nCurator Jennifer Reynolds-Kaye will also be giving a talk during the community event. \n  \nExhibition Run: October 28 – February 1\, 2019\nCommunity Event: Thursday\, November 21\, at 4:00pm\, in the Alumni Building’s Baird Lounge \nImage: Digitally Altered Image
URL:https://dulmanngalleries.berea.edu/event_cal/sharing-space-with-authority-proposals-for-installing-the-berea-college-presidential-portraits/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/08/portraits_color_phelpstokes.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20191028T080000
DTEND;TZID=America/Kentucky/Louisville:20191213T170000
DTSTAMP:20260406T180458
CREATED:20191015T133335Z
LAST-MODIFIED:20240131T214609Z
UID:2175-1572249600-1576256400@dulmanngalleries.berea.edu
SUMMARY:Feathers Fall\, Grass Grows
DESCRIPTION:Feathers Fall\, Grass Grows\nby Andréa Connell \nFigurines come into one’s possession to celebrate a birth\, a death\, an anniversary\, or any other numerous or commemorative moment. They become a stand-in for a story\, stories often held privately by the collector. Through my work I explore the complex narratives that lay dormant\, forgotten\, and suppressed in representations of our most treasured\, and often private objects. \nMy interest in commemorative objects\, particularly the hidden narrative of figurines\, has evolved through multiple bodies of work. I’ve approached figurines in different contexts –as monuments and as statuary\, as representations of experience and as objects of scale. From this perspective I see figurines engaging in both private and in public narratives; they fit easily in the family china cabinet but they can depict an image a whole community might receive. At their most authoritative they would make their way to a community plinth\, elevated and honored as a monument. I am interested in how figurines influence communities and homes\, on what they conceal and what they reveal. \nWhen I was a child\, I would sneak into my mother’s china cabinet and collect her porcelain figurines\, all displayed and beautifully arranged –painted birds perched on branches\, children innocently gazing off in wonderment\, men and women spinning each other in love and delight. I would remove the figurines from their cabinet and play with them like dolls. It never lasted long. When my mother found me I was always admonished with a familiar refrain. She would tell me the figurines were not for play: they were breakable\, they were precious\, they were valuable. Carefully\, she would place them back in the cabinet and shut the door. \n  \nExhibition Run: October 28 – December 13\, 2019 \nImage: Andréa Connell\, The Archer\, clay\, 32″ x 28″ x 19″
URL:https://dulmanngalleries.berea.edu/event_cal/feathers-fall-grass-grows/
LOCATION:Rogers Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/10/AKC5.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20190909T080000
DTEND;TZID=America/Kentucky/Louisville:20191024T170000
DTSTAMP:20260406T180458
CREATED:20190917T152108Z
LAST-MODIFIED:20240131T214627Z
UID:2165-1568016000-1571936400@dulmanngalleries.berea.edu
SUMMARY:Placed & Displaced
DESCRIPTION:Placed and Displaced\nAmanda Maciuba \nMy work is concerned with how the effects of purposeful human actions\, alongside uncontrollable factors of time and nature\, alter both the current landscape and human agency within that landscape. The accrual of our past modifications in combination with what evolves over those remnants leaves us with physical traces of past lives. It provides a history of the land and our interactions within and upon it that can be read and evaluated through careful observation. My recent work is specifically concerned with the landscapes\, communities\, development practices and environmental concerns prevalent throughout the Midwest and New England. By reacting directly to the landscapes and environments I am currently living in\, my work examines and critiques place. \nIn my work\, I begin with the landscapes most familiar to me\, where I am now\, and then expand my practice to include a broader understanding of changes brought onto our surroundings by human hands. I use my personal experiences with disorientation and dislocation in the various suburban\, urban and rural landscapes I encounter in my everyday life and share them with a wider audience. I question the sustainability of our current decisions and actions within the cycles of development and destruction upon the landscape.I call attention to the unique and irrational characteristics of locations\, both beauty and absurdity in the landscapes of our everyday. By combining my labor-intensive print media and drawing practices with familiar landscapes drawn in an exaggerated form\, my work reconsiders how the physical manifestation of our surroundings have come to reflect our disregard towards them and begin to consider an alternative way forward. \n  \nExhibition Run: September 9 – October 24\, 2019 \nImage: Fix Something Else Nearby Instead II\, Intaglio\, 2017
URL:https://dulmanngalleries.berea.edu/event_cal/placed-displaced/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/08/09-30-18-Amanda_May-Maciuba-Image-19.jpg
END:VEVENT
END:VCALENDAR