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X-WR-CALDESC:Events for Doris Ulmann Galleries
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DTSTART;VALUE=DATE:20250827
DTEND;VALUE=DATE:20260502
DTSTAMP:20260910T163706Z
CREATED:20230816T205341Z
LAST-MODIFIED:20260910T163706Z
UID:2719-1756252800-1777679999@dulmanngalleries.berea.edu
SUMMARY:All Peoples of the Earth: Selections from the Berea College Art Collection (2025-2026)
DESCRIPTION:Housed in the Dimitrie Berea Gallery\, this ongoing exhibition includes over 100 examples of visual art and material culture that emphasize the connections and experiences that humans share across cultures\, time\, and space. Because our permanent collection is so vast (with over 16\,500 objects!)\, artworks rotate on and off view throughout the year\, so there will be something new to see with every visit you make to the Galleries. \nVisual art and material culture – the things that people design with intention\, creativity\, and technical skill – have for ages provided insight into our belief systems and social customs\, our long-held traditions and day-to-day lives\, and how we see ourselves\, and one another\, as individuals. By closely considering the items that people make\, wear\, use\, and value\, we can learn something deeper about our shared humanity. \nThe selected artworks and objects from the Berea College Art Collection on display in All Peoples of the Earth are organized not by style\, date\, or culture of origin\, but instead by categories of human experience that connect us across time and space. Viewers may notice overlaps in some areas\, instances where these thematic groupings blur. For example\, should a painting of fishing boats be placed within “Observation & Documentation” or “Labor & Leisure”? Does a vessel used in tea ceremonies fit better within “Belief & Ritual” or “Fashion & Function”? These gray areas underscore the multifaceted functions that visual art and material culture can serve\, while also reflecting and exposing the challenges inherent in curatorial work and\, by extension\, all historical inquiry. In resisting easy classification\, art challenges us to be open to the possibility of multiple interpretations\, not only about visual culture but about our world – and ourselves – more broadly. \nStorytelling & Mythmaking \nArt has always been an important conduit for telling and passing down stories. From fictional narratives and historical accounts to mythical tales and religious texts\, people have turned to visual media to bring stories to life in ways that are thought-provoking\, convincing\, and deeply moving. \nThe artworks in this section represent a wide range of storytelling methods and speak to how literature\, the written and spoken word\, and the visual arts are all intertwined. At the same time\, these objects challenge us to consider how stories from the past are continuously constructed and made over\, how familiar narratives might shift when told or illustrated in a different or unexpected way\, and how visual media contributes to our understanding of what we believe to be true about the world. \nThis slideshow requires JavaScript. \n  \nObservation & Documentation \nSince the prehistoric era\, people have been compelled to record their observations for posterity\, documenting the landscape\, themselves and others\, and their personal surroundings in ways both realistic and imaginative. Through a variety of media – from painting\, drawing\, photography\, and printmaking – this selection of artworks provides visual evidence of the human impulse to document\, to make permanent and personal\, the world around them. \nThis slideshow requires JavaScript. \nLabor & Leisure \nThe value and dignity of labor is entrenched in Berea College culture as an integral part of the College’s mission and identity\, reflected in our Great Commitments and the Labor Program. At the same time\, leisure – rest and play – is equally important to our physical wellbeing\, mental health\, and intellectual and emotional development as individuals. Labor and leisure are often intertwined in our lives and are yet another instance of the human experience in which boundaries are blurred. As the artworks and objects in this section show\, the tasks we perform and objects we use for “work” are not always that far removed from the things we make and do for “fun.” How do labor and leisure overlap in your life? \nThis slideshow requires JavaScript. \nKinship & Care \nHow do we care for one another? Do the objects we surround ourselves with play a role in our relationships? Can art and material culture reflect the deep personal connections that people share or contribute to emotional caretaking and familial practices? \nArtists and makers throughout history have used their work to express love for another person\, to document strong family and community ties\, and to craft artworks and objects that provide warmth\, nourishment\, and fulfillment to those that use them. The artworks in this section emphasize kinship\, the passing down of traditions from one generation to the next\, the shared household\, and the creation of community through common belief systems and rituals – and in doing so\, these objects have something significant to say about the ways that we seek to connect with other people. \nThis slideshow requires JavaScript. \nPattern & Abstraction \nWhat first comes to mind when you think of “pattern”? Like familiar plaid pillows on a much-loved sofa or the orderly stripes of a favorite t-shirt\, patterns can be found all around us. \nPattern is often rooted in a formula\, a structured system that repeats in predictable and satisfying ways. Abstraction\, however\, can be more fluid\, more surprising\, or even seemingly-irrational. Despite these differences\, pattern and abstraction have much in common in both art and everyday life. In viewing the abstract and patterned artworks in this section\, reconsider your first impressions. What appears like a haphazard arrangement of random shapes and colors might come into focus as a careful display of harmoniously balanced hues\, textures\, and lines; or you may find that an apparently strict pattern may in fact subvert expectations of uniform rigidity. \nThis slideshow requires JavaScript.
URL:https://dulmanngalleries.berea.edu/event_cal/all-peoples-of-the-earth/
LOCATION:Dimitrie Berea Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/08/Screenshot-2025-05-07-at-9.17.23 PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250409
DTEND;VALUE=DATE:20250501
DTSTAMP:20250506T024555Z
CREATED:20250402T165725Z
LAST-MODIFIED:20250506T024555Z
UID:3164-1744156800-1746057599@dulmanngalleries.berea.edu
SUMMARY:Mirage: Senior Exhibition
DESCRIPTION:Located in the Lower Traylor Gallery\, the annual Senior Exhibition showcases examples of paintings\, prints\, drawings\, and multimedia works made by graduating Studio Art majors. The exhibition will be open from Wednesday\, April 9\, through Wednesday\, April 30. A reception with artist talks and snacks will be held Wednesday\, April 23\, 3:30-5:30\, in the Rogers-Traylor Art Building. All are welcome!
URL:https://dulmanngalleries.berea.edu/event_cal/mirage-senior-exhibition/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2025/04/IMG_6253-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250409
DTEND;VALUE=DATE:20250501
DTSTAMP:20250506T024947Z
CREATED:20250402T164720Z
LAST-MODIFIED:20250506T024947Z
UID:3162-1744156800-1746057599@dulmanngalleries.berea.edu
SUMMARY:reframing: women artists in the berea college art collection
DESCRIPTION:This exhibition has concluded but a virtual catalog and exhibition gallery can be accessed here. \nDuring the Spring 2025 semester\, students in ARH/WGS 243: Women in Art explored the roles that women have played in the history of art across time as artists\, as subjects\, and as active agents of change. Towards this goal\, we examined and questioned long-accepted models of artistic creativity\, scholarship\, and curatorial practice that have upheld the ideal of the “male artistic genius” which has largely resulted in the exclusion of women from the mainstream art historical canon. To better understand the structural barriers that have inhibited women’s full participation in the arts\, we have also looked to feminist scholars and curators who have worked to recover women artists from the past and to reframe how art history has been written\, exhibited\, and taught since the 1970s. \nTo put what we have learned into practice\, we turned to the College’s permanent art collection and set out to curate an exhibition of women’s art following a feminist art historical model – one that is collaborative\, exploratory\, recuperative\, and actively resistant to traditional narratives. reframing: women artists in the berea college art collection brings greater attention to the varied ways that women have achieved professional success and personal fulfillment through their creative practice. As these artworks show\, in spite of very real and challenging obstacles\, women have pursued art in order to pass down collective histories\, create and foster kinship bonds\, share their own perspective\, and challenge dominant discourses and representations of the so-called “feminine” experience. \nThis exhibition has concluded but a virtual catalog and exhibition gallery can be accessed here. \nImage credit: Rosemary Feit Covey (South African\, b. 1954)\, Reflection\, etching\, late 20th century\, Gift of Shelly and Gerald Elliott\, 2024
URL:https://dulmanngalleries.berea.edu/event_cal/reframing-women-artists/
LOCATION:Masterpiece Gallery\, Berea\, KY\, United States
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2025/04/Screenshot-2025-04-02-at-12.45.28-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250224
DTEND;VALUE=DATE:20250315
DTSTAMP:20250402T165049Z
CREATED:20250211T151742Z
LAST-MODIFIED:20250402T165049Z
UID:3141-1740355200-1741996799@dulmanngalleries.berea.edu
SUMMARY:Isaac Couch: Occupied
DESCRIPTION:Occupied features a collection of work shirts and tarps that textile artist and designer Isaac Couch calls Ghosts. These Ghosts refer to embodiments of energies from the past that manifest themselves in the present. As Couch says\, “At the current political and economic moment\, we are reminded yet again that history repeats itself if we do not learn from our mistakes. I find it important to conjure these Ghosts again as a reminder to myself and the community around me that we must stay woke despite how easy it may be to fall asleep.” \n\nThis special exhibition was organized and curated by Berea College student Soreyda Begley and supported by the Doris Ulmann Galleries\, the Carter G. Woodson Center\, and the Student Government Association. This exhibition will be on view from February 24 through March 14 in the Doroth Tredennick Student Gallery.  \nIsaac Couch graduated from the University of Kentucky with a degree in Merchandising Apparel and Textiles and earned his Master’s of Design at the School of the Art Institute of Chicago. Couch has received numerous fellowships\, including the Luminarts Fashion Fellowship (2021)\, the Fashion Council Fellowship (2021)\, and the Arts Club of Chicago Fellowship (2023-2024). He has exhibited his work widely\, most recently at the Weinberg Newton Gallery\, the Comfort Station\, and the Co-Prosperity Sphere in Chicago and\, closer to home\, at the Lexington Art League. Couch currently teaches at the School of the Art Institute of Chicago and is an Artist in Resident with the Cliff Dwellers and the Chicago Artist Coalition. \nSoreyda Begley is an arts and culture activist who blends her background as a garment worker\, fashion designer\, and performance artist with community organizing and advocacy. She is double majoring in Political Science and African and African American Studies. Begley is active on campus\, serving in multiple leadership positions as the Student Government Association Junior Senator\, the Art Committee’s Co-Chair\, and the Black Students Union Bridging the Gap Chair.
URL:https://dulmanngalleries.berea.edu/event_cal/isaac-couch-occupied/
LOCATION:Tredennick Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2025/02/The-politician-Final-6-1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250129
DTEND;VALUE=DATE:20250315
DTSTAMP:20250506T024636Z
CREATED:20250105T234333Z
LAST-MODIFIED:20250506T024636Z
UID:3130-1738108800-1741996799@dulmanngalleries.berea.edu
SUMMARY:Liz Ensz: Ground Truthing
DESCRIPTION:Liz Ensz: Ground Truthing features works of textiles and sculpture that explore the semblance of place as understood through cartographic measurements\, embodied experiences\, and technological mediations. Responding to the Lower Traylor Gallery’s architecture\, and informed by the stratigraphy of the geological record\, this exhibition embraces spatial and temporal disorientation as a device for shifting perspective and learning to view the Earth’s past\, present\, and future as strange and unstable. This exhibition will run from January 29 through March 14.
URL:https://dulmanngalleries.berea.edu/event_cal/liz-ensz-ground-truthing/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2025/01/ENSZ-convexity-concavity-detail-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250122
DTEND;VALUE=DATE:20250301
DTSTAMP:20250506T024644Z
CREATED:20250105T202844Z
LAST-MODIFIED:20250506T024644Z
UID:3116-1737504000-1740787199@dulmanngalleries.berea.edu
SUMMARY:Laura Colomb: Sinkhole
DESCRIPTION:Laura Colomb’s painting practice focuses on historic sites and preserve land within Florida\, a place she sees as one of many dualities. For Colomb\, the sinkhole embodies this duality. Sinkholes create crystal clear natural springs for swimming and diving\, but they can also destroy lives and property within seconds\, holding both intense wonder and terror alike. Laura Colomb: Sinkhole explores this contradiction and those contradictions inherent in our current and historic use (and abuse) of our environments. \nThis exhibition will be on view from January 22 through February 28 in the Upper Traylor Gallery. 
URL:https://dulmanngalleries.berea.edu/event_cal/laura-colomb-sinkhole/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2025/01/Sinkhole-II-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250113
DTEND;VALUE=DATE:20250201
DTSTAMP:20250211T151450Z
CREATED:20250105T230827Z
LAST-MODIFIED:20250211T151450Z
UID:3120-1736726400-1738367999@dulmanngalleries.berea.edu
SUMMARY:The Illustrated Memoir Project
DESCRIPTION:On view in the Dorothy Tredennick Student Gallery are memoirs produced as part of The Illustrated Memoir Project\, a nonprofit organization based in Cincinnati\, Ohio. The Illustrated Memoir Project engages refugee and immigrant youth to write and illustrate true stories from their lives. The goal of this project is to foment intellectual self-trust in the participants\, center their lived experience\, enhance social emotional learning\, and increase literacies. Through sharing these stories\, the Project seeks to foster a richer understanding of the experience of refugee and immigrant youth and build a more welcoming global community. This special\, short-term exhibition will be open from January 13 through January 31. 
URL:https://dulmanngalleries.berea.edu/event_cal/the-illustrated-memoir-project/
LOCATION:Tredennick Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2025/01/enock-cover-DONE.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241030
DTEND;VALUE=DATE:20241205
DTSTAMP:20241211T194748Z
CREATED:20240916T153455Z
LAST-MODIFIED:20241211T194748Z
UID:3081-1730246400-1733356799@dulmanngalleries.berea.edu
SUMMARY:Eddy López: verso(s)
DESCRIPTION:Verso is the reverse of something\, a coin\, a painting\, a photograph. Verso\, in Spanish\, is a conjunction of words that make up a poem. Eddy López: verso(s) is a print media exploration on the dangers of nostalgia and representation using photographs and writings from the Nicaraguan revolution and civil war of the 1970s and 1980s. Using archival war photographs\, the versos of these prints are used to obfuscate the horrific contents of the fronts\, critiquing the nature of representations of war. Through composite prints\, the versos of Nicaraguan poets and writers\, dreaming of a liberated homeland\, are layered into chaotic reflections of a lost revolution. A utopia\, fleeting\, in versos. This exhibition will be on view October 30 through December 4 in the Upper Traylor Gallery.
URL:https://dulmanngalleries.berea.edu/event_cal/eddy-lopez-versos/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2024/09/Screenshot-2024-09-16-at-11.33.03-AM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241023
DTEND;VALUE=DATE:20241205
DTSTAMP:20241211T194804Z
CREATED:20240916T153039Z
LAST-MODIFIED:20241211T194804Z
UID:3079-1729641600-1733356799@dulmanngalleries.berea.edu
SUMMARY:Marika Christofides: Life Cycles
DESCRIPTION:Life Cycles features digital collage-based print works by Oklahoma-based artist Marika Christofides that depict abstracted biomorphic forms in various stages of transformation. Motifs change and replicate across the works in the exhibition\, mimicking the stages of an organism’s biological development. The works in Marika Christofides: Life Cycles explore what it means to “become” through a lens that combines bioscientific concepts with feminist concerns and underlying personal narrative – asking questions about identity\, embodied experience and gender roles in an advancing world. The exhibition is on view in the Lower Traylor Gallery from October 23 through December 4\, 2024.
URL:https://dulmanngalleries.berea.edu/event_cal/marika-christofides-life-cycles/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2024/09/Colony.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240911
DTEND;VALUE=DATE:20241019
DTSTAMP:20241029T142818Z
CREATED:20240830T020754Z
LAST-MODIFIED:20241029T142818Z
UID:3067-1726012800-1729295999@dulmanngalleries.berea.edu
SUMMARY:Lisa Kriner: To Walk\, To Remember\, To Record
DESCRIPTION:To Walk\, To Remember\, To Record\, featuring work by Professor of Art Lisa Kriner\,  explores the act of walking through the landscape\, remembering those walks\, and recording my experiences of the spaces around me through drawings\, embroidery\, and handweaving.
URL:https://dulmanngalleries.berea.edu/event_cal/lisa-kriner/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/tiff:https://dulmanngalleries.berea.edu/wp-content/uploads/2024/08/Beach-Path-fall-detail-copy.tiff
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240904
DTEND;VALUE=DATE:20241012
DTSTAMP:20241029T142800Z
CREATED:20240830T020058Z
LAST-MODIFIED:20241029T142800Z
UID:3065-1725408000-1728691199@dulmanngalleries.berea.edu
SUMMARY:Lonnie & Twyla Money: 50 Years of Kentucky Folk Art
DESCRIPTION:The Doris Ulmann Galleries is excited and honored to be the final stop on the tour of the Lonnie & Twyla Money: 50 Years of Kentucky Folk Art exhibition. Prior to arriving at Berea College\, this exhibition of carefully carved and painted wooden sculptures was featured at KMAC Contemporary Art Museum in Louisville and the Kentucky Folk Art Center at Morehead State University. \nPlease join us Wednesday\, September 4\, at 4:30 for our first program of the academic year! In celebration of the opening of Lonnie & Twyla Money: 50 Years of Kentucky Folk Art\, author Karen Money and the artists Lonnie and Twyla Money will be with us to talk about their work and the process of organizing this very special traveling exhibition\, which developed out of Abney’s dedicated work writing a book on the Moneys’ collaborative art practice. Abney’s book\, of the same title\, is available at most local booksellers in the state and online. \nLonnie & Twyla Money: 50 Years of Kentucky Folk Art and associated events are co-sponsored by the Doris Ulmann Galleries and the Loyal Jones Appalachian Center and are generously supported by the William A. and Leola Piper Boyce Art Exhibition Endowment Fund.
URL:https://dulmanngalleries.berea.edu/event_cal/lonnie-twyla-money/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2024/08/DSC_0012-copy-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240828
DTEND;VALUE=DATE:20250315
DTSTAMP:20260429T180219Z
CREATED:20240830T014939Z
LAST-MODIFIED:20260429T180219Z
UID:3063-1724803200-1741996799@dulmanngalleries.berea.edu
SUMMARY:Picturing Appalachia: Views from the Permanent Collection
DESCRIPTION:Picturing Appalachia: Views from the Permanent Collection\, located in our Masterpiece Gallery\, centers artwork and artifacts that engage with the landscape\, labor\, craft traditions\, and people that have called the Appalachian region home. Well-known artists and photographers including Henry Ossawa Tanner\, Doris Ulmann\, Walker Evans\, and Aaron Siskind are presented alongside lesser known and unrecorded artists and makers who either came from or traversed the region and felt inspired to document what they saw. Though by its very nature incomplete – as all exhibitions are – this show seeks to highlight what makes Appalachia so beloved and special and to encourage visitors to think deeply about the rich\, complicated history of how this place and its people have been presented in visual art and culture. \nSpecial thanks to our colleagues at Loyal Jones Appalachian Center and Hutchins Library and our summer intern\, Joshua Kells (Berea College Class of 2026) for their invaluable contributions to this show. \n  \n \n  \n \n 
URL:https://dulmanngalleries.berea.edu/event_cal/picturing-appalachia/
LOCATION:Masterpiece Gallery\, Berea\, KY\, United States
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2024/08/140_O_134_original_1-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240412
DTEND;VALUE=DATE:20240502
DTSTAMP:20240530T174059Z
CREATED:20240406T145600Z
LAST-MODIFIED:20240530T174059Z
UID:2945-1712880000-1714607999@dulmanngalleries.berea.edu
SUMMARY:Catharsis: Senior Exhibition
DESCRIPTION:The annual Senior Exhibition showcases bodies of work made by graduating Studio Art majors. Catharsis: Senior Exhibition showcases examples of paintings\, prints\, sculpture\, and fiber arts that are spread through the Upper Traylor Gallery\, Lower Traylor Gallery\, Masterpiece Gallery\, and the Dorothy Tredennick Student Gallery.  The exhibition will be open from Friday\, April 11\, through Wednesday\, May 1. A reception with artist talks and snacks will be held Wednesday\, April 24\, 3:30-5:30\, in the Rogers-Traylor Art Building. All are welcome! \nFeaturing work by: \nHayley Campbell \nThomas Chai \nNicole Eller \nDaisy Martin \nTaylor Nordmoe \nCasey Plas \nEllen Schley \nJosh Szidik \nYoungSoon Takei \nAnnika Tuls \n  \nClick through the slideshow below to view some of the works featured in Catharsis: Senior Exhibition. \n\n		\n		\n			\n				\n			\n				\n				Work by Taylor Nordmoe\, Daisy Martin\, and Nicole Eller in the Lower Traylor Gallery\n				\n			\n				\n			\n				\n				Work by Daisy Martin\, Nicole Eller\, and Annika Tuls in the Lower Traylor Gallery\n				\n			\n				\n			\n				\n				Work by Daisy Martin\, Nicole Eller\, and Hayley Campbell in the Lower Traylor Gallery\n				\n			\n				\n			\n				\n				The Lower Traylor Gallery\, with work by Hayley Campbell\, Taylor Nordmoe\, Daisy Martin\, and Nicole Eller\n				\n			\n				\n			\n				\n				Work by Ellen Schley in the Masterpiece Gallery\n				\n			\n				\n			\n				\n				Work by Josh Szidik in the Tredennick Gallery\n				\n			\n				\n			\n				\n				View of the Upper and Lower Traylor Galleries\n				\n			\n				\n			\n				\n				Work by Nicole Eller and Annika Tuls in the Lower Traylor Gallery\n				\n			\n				\n			\n				\n				Work by YoungSoon Takei\, Casey Plas\, and Thomas Chai in the Upper Traylor Gallery
URL:https://dulmanngalleries.berea.edu/event_cal/catharsis-senior-exhibition/
LOCATION:Doris Ulmann Galleries
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2024/04/Screenshot-2024-04-06-at-10.54.34-AM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240326
DTEND;VALUE=DATE:20240331
DTSTAMP:20240406T153141Z
CREATED:20240406T151533Z
LAST-MODIFIED:20240406T153141Z
UID:2951-1711411200-1711843199@dulmanngalleries.berea.edu
SUMMARY:Pop-Up! Exhibition: Casandra Cutter and Charlie Trowbridge
DESCRIPTION:This week-long pop-up exhibition features work by Student Craft Apprentices Casandra Cutter and Charlie Trowbridge. Casandra and Charlie spent several months making\, learning\, and sharing their expertise at Student Craft\, culminating in the work shared in this show. \nCasandra Cutter is a broom maker and folk craft disciple currently living and working in South Texas under the name Sisterwolf. After 17 years in a skilled trade\, Casandra turned their full-time attention to the craft in 2023. Her work is informed by vast and varied life experience\, a reverence for tradition\, and a modern reclamation of “women’s work.” Casandra produces utilitarian objects that advocate sovereign domesticity by combining purpose with indulgence. \nCharlie Trowbridge is a cabinet maker based in Chicago\, Illinois. He has a BFA in Industrial Design from DePaul University. His work includes furniture and built-in cabinetry\, with a particular interest in objects made for kitchens and hospitality spaces. \n\n\nThis slideshow requires JavaScript. \n\n\n—\nBerea students\, faculty\, and staff are welcome to exhibit their work in the Dorothy Tredennick Student Gallery throughout the academic year. To learn more about how to organize a pop-up exhibition of your own\, reach out to Dr. Kelsey Malone (malonek2@berea.edu).
URL:https://dulmanngalleries.berea.edu/event_cal/pop-up-exhibition-casandra-cutter-and-charlie-trowbridge/
LOCATION:Tredennick Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2024/04/IMG_3043-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240131
DTEND;VALUE=DATE:20240316
DTSTAMP:20240830T021019Z
CREATED:20240129T160540Z
LAST-MODIFIED:20240830T021019Z
UID:2918-1706659200-1710547199@dulmanngalleries.berea.edu
SUMMARY:Kate Roberts: in care of
DESCRIPTION:
URL:https://dulmanngalleries.berea.edu/event_cal/kate-roberts-in-care-of/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2024/01/Roberts1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240124
DTEND;VALUE=DATE:20240302
DTSTAMP:20240416T165420Z
CREATED:20231215T193934Z
LAST-MODIFIED:20240416T165420Z
UID:2867-1706054400-1709337599@dulmanngalleries.berea.edu
SUMMARY:Samuel L. Dunson\, Jr.: Actions Affirmed
DESCRIPTION:
URL:https://dulmanngalleries.berea.edu/event_cal/samuel-l-dunson-jr-actions-affirmed/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/10/6323.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231101
DTEND;VALUE=DATE:20231207
DTSTAMP:20240129T064741Z
CREATED:20231106T211733Z
LAST-MODIFIED:20240129T064741Z
UID:2758-1698796800-1701907199@dulmanngalleries.berea.edu
SUMMARY:Intimacy: Photographs from the Collection of Joseph Goins
DESCRIPTION:The black and white photographs featured in this exhibition present images of intimacy\, examining the spiritual\, emotional\, physical\, intellectual and experiential aspects of this essential component of the human experience. A gesture\, a touch\, bodies leaning into one another; a white sun above the Pacific Ocean; a nude self-portrait hidden in the branches of a tree… how is intimacy revealed? Featuring works from the early twentieth century through the present\, Goins’ collection invites a deep questioning into our humanity and our being. \nClick here for details about the opening reception of Intimacy: Photographs from the Collection of Joseph Goins\, which will include a talk with Berea College graduate Joseph Goins (Class of 1986). The talk will take place in Presser Hall 128\, just across the street from the Doris Ulmann Galleries\, with a reception afterwards at the Galleries with snacks and refreshments. All are welcome; no RSVP required!
URL:https://dulmanngalleries.berea.edu/event_cal/intimacy-photographs-from-the-collection-of-joseph-goins/
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/10/5.-Prom-Holidaysberg-Pa.1992-jpg.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231025
DTEND;VALUE=DATE:20231207
DTSTAMP:20240129T065108Z
CREATED:20231106T210523Z
LAST-MODIFIED:20240129T065108Z
UID:2756-1698192000-1701907199@dulmanngalleries.berea.edu
SUMMARY:Sketch: Contemporary Artists in Conversation with Emily Grace Hanks
DESCRIPTION:The Berea College Art Collection is home to over 250 artworks by Emily Grace Hanks (American\, 1886-1962)\, an artist\, educator\, and inventor who specialized in observational drawing\, painting\, and illustration. Though Hanks or her work isn’t well-known today\, her career was extremely multifaceted and provides an excellent case study of the pathways that were available to aspiring women artists during this era. In the summer of 2023\, Sara Olshansky and Esther Sitver\, two artists from the region who also specialize in observational modes of drawing and painting\, were invited to the Doris Ulmann Galleries as part of an extended artist residency. Working alongside the Galleries team\, Olsansky and Sitver studied Hanks’ work and archival materials housed in the BCAC and created a series of artworks in response to what they found. The resulting artworks – and the exhibition as a whole – explore the connections that can be made between artists across time and raise questions about what it means to leave an artistic “legacy.” What can we find when we look to the past? What can an archive reveal… and what does it leave obscured? And how can we fill in the gaps? \nClick here for details on our Artist Talk with Artists Sara Olshansky and Esther Sitver will join the Doris Ulmann Galleries staff to discuss their work and the collaborative curatorial process behind the exhibition\, Sketch: Contemporary Artists in Conversation with Emily Grace Hanks\, which will be open in the Lower Traylor Gallery from October 25 to December 6. \nSara Olshansky is a draughtsperson and 2D media artist based in Louisville\, Kentucky. She graduated from Hite Art Institute at the University of Louisville in 2018 with two degrees in 2D Studio Art and Art History\, and a minor in Spanish Language. She has received numerous awards and grants in support of her research and travels\, and her work is featured in several public collections as well as private collections across the U.S. Olshansky is interested in exploring addition and erasure of imagery on a single picture plane and how this technique might mirror construction and perception of lived experience and memory. \nEsther Sitver is a Knoxville\, Tennesee-based illustrator who merges vintage aesthetics with contemporary progressive ideas and humor. Her artwork explores the observable world through the female gaze. Her love for traditional pen and ink drawing pulls together her specialties: portraiture and figure drawing\, editorial illustration\, pattern design\, and plein air painting. Sitver earned a BFA in Illustration from the Ringling College of Art + Design in 2020 and currently works as a freelance artist and for the Knoxville Museum of Art. Sitver has exhibited her work around the southeast\, with recent exhibitions at The Emporium and Rala (both in Knoxville\, TN). When she’s not scribbling\, she can be found rollerskating and hiking around East Tennessee. \nClick through the slideshow below to view some of the works featured in Sketch: Contemporary Artists in Conversation with Emily Grace Hanks: \nThis slideshow requires JavaScript.
URL:https://dulmanngalleries.berea.edu/event_cal/sketch-contemporary-artists-in-conversation-with-emily-grace-hanks/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/10/140_D_268_original_1-copy-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230913
DTEND;VALUE=DATE:20231021
DTSTAMP:20240129T065450Z
CREATED:20230816T210914Z
LAST-MODIFIED:20240129T065450Z
UID:2722-1694563200-1697846399@dulmanngalleries.berea.edu
SUMMARY:Meredith Setser: Immaculate Crude
DESCRIPTION:Meredith Setser\, a fibers artist and art professor at Indiana University\, creates large-scale abstract textile works composed of handmade felt that explore the current cultural landscape figuratively. On a visual level\, the works in Meredith Setser: Immaculate Crude reference the history of textile craft and Setser’s interests in geology and ecological sciences. Setser’s work will be on view through Friday\, October 20\, and she’ll be on campus that day to give an artist talk and felting demonstration for the closing reception. \nClick here for more details about our Artist Talk with Meredith Setser in conjunction with the closing reception for the exhibition\, “Meredith Setser: Immaculate Crude\,” which is on view at the Doris Ulmann Galleries through Friday\,October 20. Setser’s large-scale fiber installations incorporate handmade felt and draw inspiration from geological forms and human interactions with the natural environment. She’ll also give a felting demonstration as part of her talk. \nRefreshments and snacks will be available after the talk. This event is free and open to the public. No RSVP necessary.
URL:https://dulmanngalleries.berea.edu/event_cal/meredith-setser-immaculate-crude/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/08/mosaicdet-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230906
DTEND;VALUE=DATE:20231014
DTSTAMP:20240129T065707Z
CREATED:20230816T210533Z
LAST-MODIFIED:20240129T065707Z
UID:2721-1693958400-1697241599@dulmanngalleries.berea.edu
SUMMARY:Margo Duvall & Katherine Strause: Around and Around Again
DESCRIPTION:Capturing ordinary moments with wit\, sentiment\, and tenderness\, the artworks on view in “Around & Around Again” welcome us into conversation about the circularities of human experience that transcend both time and individual circumstance: the moments of full freedom felt by children at play; the liminal space between adolescence and adulthood; the associations of ‘home’ that can be both fond and difﬁcult; the strength we gain from a supportive sisterhood. \nMargo Duvall and Katherine Strause are both nationally recognized and awarded artists and educators from Little Rock\, Arkansas. Duvall (Assistant Professor of Photography\, University of the Ozarks) and Strause (Retired Chair and Professor of Painting\, Henderson State University) share an interest\, in both their pedagogical and professional practices\, in exploring personal narrative as expressed through ephemera and found imagery.
URL:https://dulmanngalleries.berea.edu/event_cal/margo-duvall-katherine-strause/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/08/Strause_The-Mentor.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230906
DTEND;VALUE=DATE:20240314
DTSTAMP:20240830T021052Z
CREATED:20230816T205607Z
LAST-MODIFIED:20240830T021052Z
UID:2720-1693958400-1710374399@dulmanngalleries.berea.edu
SUMMARY:Abstraction / Pattern / Geometry / Design
DESCRIPTION:ABSTRACTION / PATTERN / GEOMETRY / DESIGN highlights a curated selection of over 60 artworks from the Berea College Art Collection that showcase how artists and makers utilizing different styles\, methods\, places\, and time periods have relied on and experimented with abstraction\, pattern\, geometry\, and design in their work\, to different ends and for varying purposes. This exhibition will run through mid-March.
URL:https://dulmanngalleries.berea.edu/event_cal/abstraction-pattern-geometry-design/
LOCATION:Masterpiece Gallery\, Berea\, KY\, United States
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/08/Sam-Gilliam-In-Celebration.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230411
DTEND;VALUE=DATE:20230504
DTSTAMP:20240129T070117Z
CREATED:20230331T163020Z
LAST-MODIFIED:20240129T070117Z
UID:2642-1681171200-1683158399@dulmanngalleries.berea.edu
SUMMARY:dis/comfort: Senior Exhibition
DESCRIPTION:The annual Senior Exhibition showcases bodies of work made by graduating Studio Art majors. This year\, “dis/comfort: Senior Exhibition” features pieces of mixed media\, paintings\, prints\, and handmade books.  The exhibition will be open from Tuesday\, April 11\, through Wednesday\, May 3. A reception with artist talks and snacks will be held Wednesday\, April 26\, 3:30-5:00\, in the Rogers-Traylor Art Building.  \nClick on the names below to explore our graduating seniors’ virtual showcases! \nElsa Black \nShaylee Hall \nAbry Reeder \nBetsy Schley \nLiv West \nMegan Woolverton
URL:https://dulmanngalleries.berea.edu/event_cal/dis-comfort-senior-exhibition/
LOCATION:Upper & Lower Trayor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/03/Screenshot-2023-03-31-at-12.27.45-PM.png
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230227
DTEND;VALUE=DATE:20230304
DTSTAMP:20240129T070553Z
CREATED:20230228T132904Z
LAST-MODIFIED:20240129T070553Z
UID:2632-1677456000-1677887999@dulmanngalleries.berea.edu
SUMMARY:Student Pop-Up Exhibit: Abryanna Reeder & Ellen Schley
DESCRIPTION:For one week only starting on Monday\, February 27\, Art students Abryanna Reeder (Class of 2023) and Ellen Schley (Class of 2024) are exhibiting work in the Dorothy Tredennick Student Gallery. On view through Friday\, March 3\, these artworks were created last semester in Prof. Dan Fineberg’s Sculpture and Intermedia course. The Tredennick Gallery is located to the right of the reception desk on the “Traylor” side of the Rogers-Traylor Art Building. \nAbryanna Reeder is an Art major from the foothills of Appalachia in the northeastern region of Kentucky. She is committed to finding ways to incorporate her knowledge of the land\, farming\, and place attachments into her art. \nEllen Schley is a junior Art major from Sterling\, Ohio. She is interested in making art that can be interacted with and experienced by the audience.
URL:https://dulmanngalleries.berea.edu/event_cal/student-pop-up-exhibit-abryanna-reeder-ellen-schley/
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/02/Pop-Up-Abry-Ellen.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20230222T080000
DTEND;TZID=America/Kentucky/Louisville:20230324T170000
DTSTAMP:20240129T070634Z
CREATED:20230228T132611Z
LAST-MODIFIED:20240129T070634Z
UID:2631-1677052800-1679677200@dulmanngalleries.berea.edu
SUMMARY:Leslie Smith & Katie Wigglesworth: Unusual Care
DESCRIPTION:“Leslie Smith & Katie Wigglesworth: Unusual Care” presents a collaborative body of work by printmaker and book artist Leslie Smith and textile artist Katie Wigglesworth. Made in response to research they completed at The Penland School of Craft about settlement schools and the revival of craft\, the artworks featured in this exhibition investigate the great leap it takes both to start a craft school and be an artist in difficult times. This exhibition will be on view through March 24\, and Smith and Wigglesworth will be giving an artist talk in the Upper Traylor Gallery at 3:00 on Tuesday\, March 21.
URL:https://dulmanngalleries.berea.edu/event_cal/leslie-smith-katie-wigglesworth-unusual-care/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2023/02/Berea3-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20230118T080000
DTEND;TZID=America/Kentucky/Louisville:20230317T170000
DTSTAMP:20240129T070800Z
CREATED:20230123T202816Z
LAST-MODIFIED:20240129T070800Z
UID:2618-1674028800-1679072400@dulmanngalleries.berea.edu
SUMMARY:Hanna Vogel: Cradling
DESCRIPTION:“Hanna Vogel: Cradling” will be on view starting January 18 through Friday\, March 17\, in the Lower-Traylor Gallery on the first floor of the Rogers-Traylor Art Building. Hanna Vogel is a Philadelphia-based artist and educator who works with paper pulp and steel write to create unfamiliar forms and textures that evoke the tenuousness of natural lifecycles. The works on view in “Cradling” explore various responses to the effects of climate change on our daily lives and moods with references to fairy tales\, picture books\, microscopic fungal species\, and methods of escape.  The artist will be giving a virtual artist talk on Wednesday\, March 15\, which will be screened alongside an in-person reception in the Rogers-Traylor Art Building. Watch our social media channels for a Zoom link. 
URL:https://dulmanngalleries.berea.edu/event_cal/hanna-vogel-cradling/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/png:https://dulmanngalleries.berea.edu/wp-content/uploads/2022/12/Vogel-Rites-of-Passage.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20230111T080000
DTEND;TZID=America/Kentucky/Louisville:20230217T170000
DTSTAMP:20240129T070848Z
CREATED:20230123T202440Z
LAST-MODIFIED:20240129T070848Z
UID:2617-1673424000-1676653200@dulmanngalleries.berea.edu
SUMMARY:Molly Jo Burke and Nathan Gorgen: What's Worth Keeping
DESCRIPTION:Molly Jo Burke & Nathan Gorgen: What’s Worth Keeping is on view in the Rogers Gallery through February 17 in Rogers Gallery. What’s Worth Keeping showcases a series of artworks made in collaboration by Molly Jo Burke\, a glass and interdisciplinary artist\, and Nathan Gorgen\, a sculptor\, wood worker\, and digital fabrication specialist. Together\, the artist couple utilizes the excess materials that are found or left over from their individual artistic practices\, their daily lives\, and the natural and built environments they encounter. The resulting artworks are whimsical creations that challenge the viewer to reconsider their own environment and the things we use or discard daily and ask\, “What is worth keeping?” The artists will be at Berea College on Friday\, February 17\, for an artist talk and closing reception at 12:00pm in the Rogers Gallery. 
URL:https://dulmanngalleries.berea.edu/event_cal/molly-jo-burke-and-nathan-gorgen-whats-worth-keeping/
LOCATION:Rogers Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2022/09/006b_Lavatorium-Monstrance-Aspersorium-detail-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20230111T080000
DTEND;TZID=America/Kentucky/Louisville:20230211T170000
DTSTAMP:20240129T070922Z
CREATED:20230123T201957Z
LAST-MODIFIED:20240129T070922Z
UID:2615-1673424000-1676134800@dulmanngalleries.berea.edu
SUMMARY:Katie Hargrave: Flag Waving
DESCRIPTION:Katie Hargrave: Flag Waving is now open in the Upper Traylor Gallery and will be on view through Friday\, February 10. Hargrave is a multimedia artist based in Chattanooga\, Tennessee\, whose work incorporates materials and processes as a way to explore\, deconstruct\, and decode U.S. politics and environmental movements. Hargrave makes projects using a variety of forms — installations\, publications\, videos\, fiber works\, and interactive experiences – and several examples of these diverse artistic practices are included in Flag Waving. Katie Hargrave will be at Berea College to host an artist talk on Wednesday January 11 at 12:00 in Rogers-Traylor Art Building\, room 210\, followed by a Q&A in the Upper Traylor Gallery.  \n  \n  \n 
URL:https://dulmanngalleries.berea.edu/event_cal/katie-hargrave-flag-waving/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2022/09/Iyieldthefloor1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20221102T080000
DTEND;TZID=America/Kentucky/Louisville:20221211T170000
DTSTAMP:20240131T204339Z
CREATED:20220915T205622Z
LAST-MODIFIED:20240131T204339Z
UID:2577-1667376000-1670778000@dulmanngalleries.berea.edu
SUMMARY:Michael Reedy: Prodigious Piffle
DESCRIPTION:Michael Reedy is a multimedia artist based in Ann Arbor\, Michigan\, whose work focuses on representing the human figure in ways that lie outside of art historical tradition. The large-scale artworks in Prodigious Piffle pull from imagery one might see in cartoons or anatomical illustrations like those found in medical textbooks\, and all serve\, as Reedy says\, “to underscore the comedic tragedy of physical existence\, as well as the frailties that increasingly define our sense of self as we age.”
URL:https://dulmanngalleries.berea.edu/event_cal/michael-reedy-prodigious-piffle/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2022/09/Reedy-Death_of_the_Night-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20221026T080000
DTEND;TZID=UTC:20221211T170000
DTSTAMP:20240131T204410Z
CREATED:20220920T193549Z
LAST-MODIFIED:20240131T204410Z
UID:2583-1666771200-1670778000@dulmanngalleries.berea.edu
SUMMARY:Benjamin Cirgin: re-(c)leave
DESCRIPTION:Benjamin Cirgin is a multi-media artist currently serving as the Ceramics Area Head and Assistant Professor of Ceramics at Eastern Kentucky University in the Department of Art and Design. The works on view in re-(c)leave are inspired in part by Cirgin’s experience working as a designer\, carpenter\, cabinet maker\, stone fabricator\, art preparator\, and life negotiator. He merges this background with his ceramic process to create abstract forms and casts of significant objects\, functional pottery\, and multi-medium constructed scenes.
URL:https://dulmanngalleries.berea.edu/event_cal/benjamin-cirgin-re-cleave/
LOCATION:Rogers Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2022/09/3C9A5C08-4379-4C5E-86D7-548E9DD7AF2B-scaled.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220907T080000
DTEND;TZID=UTC:20230504T170000
DTSTAMP:20240131T204447Z
CREATED:20220915T203806Z
LAST-MODIFIED:20240131T204447Z
UID:2572-1662537600-1683219600@dulmanngalleries.berea.edu
SUMMARY:Rediscover: Highlights from the Berea College Art Collection
DESCRIPTION:The artworks and artifacts on display in Rediscover\, located in the Dimitrie Berea and Masterpiece galleries\, celebrate the much-anticipated reopening of the Doris Ulmann Galleries. Each object was carefully selected to showcase the richness and depth of Berea College’s permanent art collection\, which contains more than 15\,000 objects that represent over 5\,000 years of human creation\, from the ancient world to our present day.   \n\n\nAs we welcome visitors from our campus community and from afar to return to the art museum for the first time since March 2020\, we hope you will find joy in seeing familiar\, longtime favorites of the permanent collection and in discovering new gems amongst the never-before-seen works and recent acquisitions on view. While making visible connections across cultures\, these artworks also engage in a dialogue that underscores the unique history of the museum\, supports the teaching mission of the Art and Art History Department\, and reflects the values of the Great Commitments of Berea College. 
URL:https://dulmanngalleries.berea.edu/event_cal/rediscover-highlights-from-the-berea-college-art-collection/
LOCATION:Dimitrie Berea Gallery & Masterpiece Gallery
CATEGORIES:Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2022/09/140_O_95_original_1-scaled.jpg
END:VEVENT
END:VCALENDAR