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X-WR-CALNAME:Doris Ulmann Galleries
X-ORIGINAL-URL:https://dulmanngalleries.berea.edu
X-WR-CALDESC:Events for Doris Ulmann Galleries
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BEGIN:VEVENT
DTSTART;TZID=UTC:20190411T080000
DTEND;TZID=UTC:20190505T170000
DTSTAMP:20240131T214822Z
CREATED:20190222T212702Z
LAST-MODIFIED:20240131T214822Z
UID:2069-1554969600-1557075600@dulmanngalleries.berea.edu
SUMMARY:Graduation Exhibition for Art Majors
DESCRIPTION:Exhibition run: April 11 – May 5\, 2019 \nArtist talk and Opening Reception: April 11\, 4:30pm
URL:https://dulmanngalleries.berea.edu/event_cal/graduation-exhibition-for-art-majors/
LOCATION:Upper & Lower Trayor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/04/senior_show_postcard_02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190225T080000
DTEND;TZID=UTC:20190404T170000
DTSTAMP:20240131T214943Z
CREATED:20190222T202257Z
LAST-MODIFIED:20240131T214943Z
UID:2054-1551081600-1554397200@dulmanngalleries.berea.edu
SUMMARY:"Cataclysmic Microcosm" by Jave Yoshimoto
DESCRIPTION:Cataclysmic Microcosm\nJave Yoshimoto \nMy work takes on the ephemerality of news and information and how the emotions we bring to each tragedy in the news cycle are swept away by the wave of information that floods the media. I address this social amnesia through my art with the work acting as a social memory for tragic events so quickly forgotten in our information age. \nEmploying images of the overwhelming power of the contemporary disasters humanitarian crisis to inspire empathy in the art works’ viewers. I use graphic illustrative images to draw in the audience for a closer view\, while the finer details of the piece keep the audience fixated and allow them to feel immersed in the content of the subjects themselves. \nI have researched my topics and themes by visiting and volunteering to help with the earthquake relief in Japan and Nepal\, as well as the refugee crisis in Greece to collect first-hand\, on the ground data.  These data\, which varies from interviews and photographic documentations are used to build my compositional images\, which at first becomes a painting paper\, then re-drawn to create my current wood relief block sculptures. \nThis practice ultimately represent my belief that art should be accessible to its viewers through humanist tales of struggle and survival as played out in the prevalent social amnesia of the information age. \n  \nExhibition Run: February 25 – April 4\, 2019\nArtist Talk: April 4\, 4:30pm \n  \nImage: The Transference of Weight by Jave Yoshimoto; Gouache on paper\, 2017\, 18″ x 24″
URL:https://dulmanngalleries.berea.edu/event_cal/cataclysmic-microcosm-by-jave-yoshimoto/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/02/Yoshimoto1_TOW2000pxw300dpi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190114T080000
DTEND;TZID=UTC:20190215T170000
DTSTAMP:20240205T002918Z
CREATED:20181218T210830Z
LAST-MODIFIED:20240205T002918Z
UID:1989-1547452800-1550250000@dulmanngalleries.berea.edu
SUMMARY:"Going Against the Grain: Wooden Quilts" by Laura Petrovich-Cheney
DESCRIPTION:Exhibition Run: January 14 – February 15\, 2019\nArtist Talk: February 7\, 4:30pm \n  \nAbout the Artist:\nUsing traditional and contemporary patchwork quilt patterns\, Laura Petrovich-Cheney creates complex and vibrant sculptures from debris that was collected after natural disasters such as Hurricane Sandy (2013)\, Gatlinburg\, TN Fires (2015)\, and a series of nor’easters that pounded the Massachusetts coastline during the winter of 2018. Her work explores issues of loss\, identity\, place\, memory\, and renewal. \n  \nImage: Maybe Baby\, Salvaged Wood from Natural Disasters\, 36″ x 36\,” 2018
URL:https://dulmanngalleries.berea.edu/event_cal/going-against-the-grain-wooden-quilts-by-laura-petrovich-cheney/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2018/12/bright_Laura-Petrovich-Cheney_17.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181115T163000
DTEND;TZID=UTC:20181214T170000
DTSTAMP:20240205T003010Z
CREATED:20181108T210108Z
LAST-MODIFIED:20240205T003010Z
UID:1985-1542299400-1544806800@dulmanngalleries.berea.edu
SUMMARY:Fall\, 2018 - Senior Exhibition
DESCRIPTION:Join is in the Doris Ulmann Galleries for the opening of our Mid-Year Graduation Exhibition for Art Majors. \nIn this special show\, four graduating Studio Art students will publicly present their work to the Berea campus and community at large. On November 15 at 4:30pm\, participants will deliver talks about their pieces\, giving visitors an opportunity to learn more about them and the inspiration that fueled their work. A light reception will immediately follow. \nHelp us celebrate these seniors’ efforts as they prepare for graduation! \n  \nArtist Talks & Opening Reception: Thursday\, November 15\, 4:30pm \nParticipants: \nBenjamin Butero                  Sculpture\nRebecca Faulkinbury           Ceramics\nJoseph Muth                         Ceramics\nChristopher Spratling          Printmaking
URL:https://dulmanngalleries.berea.edu/event_cal/fall-2018-senior-exhibition/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2018/11/Senior_Fall-2018_FINAL.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181029T080000
DTEND;TZID=UTC:20181214T170000
DTSTAMP:20240205T003137Z
CREATED:20181005T203605Z
LAST-MODIFIED:20240205T003137Z
UID:1964-1540800000-1544806800@dulmanngalleries.berea.edu
SUMMARY:"Figure Narratives" by David Hicks
DESCRIPTION:Artist Talk: Thursday\, November 1\, 4:30pm \n  \nArtist Statement: \nMy work re-examines the grand metaphorical narrative as a way of exploring both personal content and universal themes within the contemporary human experience. I do this through creating large scale multi-figure drawings and paintings. My narratives present a mixed cast of mythical\, iconic\, historical\, and modern-day characters\, each one playing specific a role in an unfolding story and shared environment. I view the paper as a stage for me to present characters\, juxtapose roles\, and draw connections that literally and figuratively tie the characters in the narrative together. Composing in a metaphorical language gives me the freedom to address a variety of heavy\, complex\, yet all-pervasive themes without forcing a singular message on the viewer. \n  \nImage: Cycle (detail)\, Graphite on Paper\, 2017\, 36″ x 50″
URL:https://dulmanngalleries.berea.edu/event_cal/figure-narratives-by-david-hicks/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2018/10/Cycle-detail-2-300-dpi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180910T080000
DTEND;TZID=UTC:20181025T170000
DTSTAMP:20240205T003157Z
CREATED:20180615T195927Z
LAST-MODIFIED:20240205T003157Z
UID:1929-1536566400-1540486800@dulmanngalleries.berea.edu
SUMMARY:"Seeing the Air Bend" by Gail D. Panske
DESCRIPTION:Artist Talk: October 25\, 4:30pm \n  \nArtist Statement:\nMy work is about the experience of place and time and how those experiences come together. \nFor the work in this series\, I used two books as inspiration\, the novel\, Forgotten Country\, by Catherine Chung; and Difficult Fruit by poet Lauren Alleyne. My goal was\, to paraphrase the artist Robert Motherwell\, maintain my own iconography while using the text as inspiration. \nThe words of the novel and poems were the starting point. I read and re-read the books\, documenting phrases and short passages that resonated with me. Along the way\, I discovered connections and explored new ways to approach the subject matter. The drawings and prints are a visual representation of that dialogue\, a synthesis of experience\, time\, and place. \n  \nImage: Between Flicker and Fade\, Graphite\, 2015\, 28″ x 36″
URL:https://dulmanngalleries.berea.edu/event_cal/seeing-the-air-bend-by-gail-panske/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2018/06/panske3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180319T080000
DTEND;TZID=UTC:20180503T170000
DTSTAMP:20240205T003351Z
CREATED:20170814T193925Z
LAST-MODIFIED:20240205T003351Z
UID:1772-1521446400-1525366800@dulmanngalleries.berea.edu
SUMMARY:Dragonslayer by Alexander Hanson
DESCRIPTION:Alexander Hanson\n\nI want to know how we think we can ascertain anything optimistic about the world when we insist on looking through dirty glasses. My creative research focuses on the use of objects\, constructed and found\, as a way to ask pointed questions related to faith; and the use or abuse of it in everyday life. My work often takes form through installation or built environments; I use a variety of materials and objects to create instances where the viewer is invited to enter into a constructed fiction.\n\nI attempt to make work that invites\, allows and provides people with the opportunity to see the world differently. I am interested in contradiction and how we use models and principles that do not stand on their own legs to value and derive meaning. I aim to create work that illuminates the complications behind seeing the world narrowly. I want to highlight the futility\, hopelessness\, and failure behind the challenge of extracting a pure or unadulterated meaning of the pieces of the puzzle we are given.\n\nConsider what it means to be broken vs. what it means to be altered. Consider everything is fragile and at any moment everything can change. Consider what makes us make decisions could possibly not be our soul or our learned experiences\, but the balance or imbalance of certain chemicals in our blood at any given point in time. Consider we take part in destroying a world it is in our best interest to preserve. Consider in order to fix a hole\, you have to destroy a pile of dirt.\n\nI employ sculpture as a way to point a finger at our conceived notions of truth and use symbols and objects to invite the viewer to use irreverent skepticism to freely laugh at\, poke holes in and make light of those ideas as a last ditch effort to fully understand them. If magic doesn’t exist\, then that is just fine; but rather than mourning\, we should rejoice\, because we should prefer a world where that is the case.\n\nI want to be able to constantly reconsider what I often believe to be underlying reasons for how to live a good life and how to make the right decision. What is right and what is wrong is never so simple. I want to know what joy is and how to find a real and lasting version of it. I attempt to introduce an audience to instances that can produce despair in the hope of moving them beyond paralysis in the face of seemingly hopeless situations. I want to be the person to shake people off the fence\, not just so I can watch them fall\, but so I can catch them before they hit the ground.\n\nThere will be an artist talk given by Alexander Hanson on March 15th\, 2018 at 4:30 pm.
URL:https://dulmanngalleries.berea.edu/event_cal/alexander-hanson/
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2017/08/IMG_1231.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180219T080000
DTEND;TZID=UTC:20180330T170000
DTSTAMP:20240205T003437Z
CREATED:20171011T222028Z
LAST-MODIFIED:20240205T003437Z
UID:1813-1519027200-1522429200@dulmanngalleries.berea.edu
SUMMARY:Composed Construct
DESCRIPTION:  \nSusan Beiner \nArtist Statement \n  \nThe most recent concerns in my work deal with making what is organic synthetic. In todays’ world\, most everything is manufactured of artificial materials. This extends to what was once all natural. Genetically altered foods\, cloned animals and the hybridization of everything. Clay and ceramic materials for the most part are all derived from nature\, elements that are naturally mined from the earth. This has lead me to want to use additional materials that are a result of an industrial process such as foam\, plexi-glass and rubber. My use of excess has evolved to issues similar to those in urban sprawl – the sense of being surrounded by a manufactured and engineered environment. \n  \nMy current work displays a shift to ideas about installation\, covering an expanse of space. Installation allows me to reassemble shapes\, attributes\, qualities and quantities on a much larger scale suggesting an essential connection to our physical space. My interest is fueled by elements of layering\, fragmentation\, multiplication\, juxtaposition and complication. Intense brilliant color reveals an obviously artificial man-made reality. Color is swirled together in rhythmic sequences mirroring the activities of a microscopic sample or aerial topography. The encrustation’s are abstracted from real plant life\, allowing the viewer to proceed into the interior pattern of a stylized manufactured plastic plant life. So as a viewer we are challenged by our own perceptions of what is authentic and what is not. \n  \nThere will be an artist talk on February 16th\, 2018. This event is open to the public.
URL:https://dulmanngalleries.berea.edu/event_cal/compost-construct-by-susan-beiner/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2017/10/Beiner-13.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180122T080000
DTEND;TZID=UTC:20180223T170000
DTSTAMP:20240205T003508Z
CREATED:20171129T224247Z
LAST-MODIFIED:20240205T003508Z
UID:1831-1516608000-1519405200@dulmanngalleries.berea.edu
SUMMARY:The Art of Collaboration
DESCRIPTION:curated by Sheridan Bischoff\, ’18 \nA solitary artist is not a stereotype for a printmaker. Printmaking is a medium with a long history of collaboration. Great printmakers often were the heads of workshops where apprentices would learn the skills of the trade in exchange for their contribution to the art. In contemporary art\, collaboration is a significant means of networking that create partnerships in the arts allowing for artists to work together for an equal opportunity in the distribution of artwork\, future connections\, and patronage. Dadaist believed that the value of art was not in the work produced\, but in the act of making and collaborating with others to create new visions of the world. A collaboration is not something for a day\, but a long and committed process. Working together\, artists can experiment\, take chances\, and learn from one another. \nThis exhibition curtesy of the generous donors Gerry and Shelly Elliott. They started their collection after responding to an ad from Associated American Artists\, New York City in fortnightly publication “The Reporter.” They sent in twenty-five cents and received a catalogue and Mr. Elliott said\, “the rest was history.” Neither of them received “any formal art education. Mr. Elliott has a BA in Government from Beloit College and MA\, ABD (all but dissertation)\, in Political Science from the University of Minnesota. Ms. Elliott has a BA in English from Chanpaign-Urbana\, IL and a MS in English from the University of Wisconsin.     \nThere will be a talk given by the curator in the Lower Traylor Gallery at 4:30 pm on February 22nd\, 2018.
URL:https://dulmanngalleries.berea.edu/event_cal/the-art-of-collaboration/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2017/11/08-Laura-Weaver-Huff.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161009
DTEND;VALUE=DATE:20161129
DTSTAMP:20240205T004334Z
CREATED:20160719T211533Z
LAST-MODIFIED:20240205T004334Z
UID:878-1475971200-1480377599@dulmanngalleries.berea.edu
SUMMARY:Decomposing the Monument of the Third International
DESCRIPTION:Decomposing the Monument to the Third International is an interactive art project that considers how the practices of art\, food\, and education might be drawn together in order to plug some of the microflows of capital distribution. The hope is to encourage a rising-up of human essence that is based on creating networks of survival whereby the fulfillment of our most basic needs opens-up possibilities for new value systems that are not driven by profit and yield. \nJosh Hoeks \nArtist talk December 2nd\, noon
URL:https://dulmanngalleries.berea.edu/event_cal/decomposing-the-monument-of-the-third-international/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/01-Hoeks-Decomposing-the-Monument-of-the-Third-International.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161009
DTEND;VALUE=DATE:20161112
DTSTAMP:20240205T004412Z
CREATED:20160719T210304Z
LAST-MODIFIED:20240205T004412Z
UID:880-1475971200-1478908799@dulmanngalleries.berea.edu
SUMMARY:Thicket
DESCRIPTION:My work is a balance of thoughtful observation\, memory\, and ample invention\, drawing information from a variety of sources. It focuses on experiencing a place\, both in person and through recollection. Constructed out of scattered fragments of light and location\, these scenes are an invented geography\, losing space and site. Specificity of place becomes blurred in a fiction of memories\, as coal towns of Appalachia become indistinct from Italian villages. These landscapes are presented through a lens of recollection\, distorted by nostalgia. By sharing these personal perspectives\, the landscape is opened to be reexamined with a fresh interest. \nParticularly in my prints\, I rely on the translation of process\, letting the materials assume partial control of the final image. I enjoy how this process works with the idea of a motif. By pushing the mono-type beyond a single print\, each repetition brings new changes\, each with their own singularity. Like memories of a place gradually altering themselves\, every new print further removes the image from the original\, inventing a new landscape. \nSean Ware \nArtist talk November 11th\, noon
URL:https://dulmanngalleries.berea.edu/event_cal/thicket/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/02-Ware-Ascension-1.jpg
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