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DTSTART;TZID=America/Kentucky/Louisville:20221116T160000
DTEND;TZID=America/Kentucky/Louisville:20221116T170000
DTSTAMP:20240131T204317Z
CREATED:20221123T220704Z
LAST-MODIFIED:20240131T204317Z
UID:2598-1668614400-1668618000@dulmanngalleries.berea.edu
SUMMARY:Artist Talk with Michael Reedy
DESCRIPTION:Please join us at the Doris Ulmann Galleries tomorrow afternoon\, Wednesday\, November 16\, at 4:00\, to hear artist Michael Reedy speak about his work that is currently on view in the exhibition Michael Reedy: Prodigious Piffle in the Upper Traylor Gallery. Light snacks and refreshments will be served at the conclusion of Reedy‘s talk.\n\nThis in-person event is open to the Berea College campus community and the general public. Masks are still required in the Rogers-Traylor Art Building. We’re looking forward to seeing you there!
URL:https://dulmanngalleries.berea.edu/event_cal/artist-talk-with-michael-reedy/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2022/11/thumbnail_Reedy_SelfPortraitA.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20200309T080000
DTEND;TZID=America/Kentucky/Louisville:20200503T170000
DTSTAMP:20240131T205653Z
CREATED:20191115T164743Z
LAST-MODIFIED:20240131T205653Z
UID:2205-1583740800-1588525200@dulmanngalleries.berea.edu
SUMMARY:I Am/You Are
DESCRIPTION:I Am/You Are\nTia Blassingame \nI utilize printmaking in the book form to address issues of race and of racism in the United States. I am interested in how racism has warped our perception and has melted into our vocabulary\, social structure\, and our urban landscape. I grapple with such questions as who owns opinion and memory and who is authorized to bear witness? \nEmploying a mixture of poetry\, typography\, printmaking techniques like etching\, screenprinting lithography\, letterpress printing\, and book arts endeavors including papermaking and bookbinding\, I examine African American architectural\, spatial and cultural history\, racial prejudices and perception. As many of my pieces deal with historical racism\, I employ period typefaces to create a look and ambience that transports the viewer to the appropriate era. Because of its tactile nature and deep impression on the page\, letterpress printing invites the viewer to connect immediately and then dissect the text and images slowly. \nDisturbing images and histories rendered using wooden or metal letters or an etching plate can be atmospheric and intriguing. Instead of repelling the viewer\, artists’ books can allow for a nuanced discussion on issues of race to unfold with each page turn. The reader/viewer can locate themselves within the book as they create their own path to view and connect deeply with the the book\, its text and prints\, history itself. \nTia Blassingame will also be giving an artist talk on her exhibition in the gallery. \n  \nExhibition Run: March 9 – May 3\nArtist Talk: Thursday\, March 26\, at 4:30pm \nImage: Proofing I Am artist’s book
URL:https://dulmanngalleries.berea.edu/event_cal/i-am-you-are/
LOCATION:Rogers Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/11/blassingame2020.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20200224T080000
DTEND;TZID=America/Kentucky/Louisville:20200326T170000
DTSTAMP:20240131T213611Z
CREATED:20191115T163923Z
LAST-MODIFIED:20240131T213611Z
UID:2203-1582531200-1585242000@dulmanngalleries.berea.edu
SUMMARY:Time Marked
DESCRIPTION:Time Marked\nJelena Berenc \nThe show explores Being-in-time while passing through time\, by marking quantized moments. Within each quantized moment a universe of events are created and ended. Each mark on the drawing reflects upon particular event and collectively creates the piece\, which provokes an awareness of a very specific social\, somatic\, or scientific truth/issue through and in time. \nExcessive repetition of minuscule drawing elements\, are used to create larger works of art encompassing an overarching idea or fact. Most pieces contain tens to hundreds of thousands and even millions of particularly chosen drawing elements. The most fundamental materials are used\, like pencil on paper\, so that the focus can center on the idea and its execution process. \n  \nExhibition Run: February 24 – March 26 \nImage: Mark-in-time\, Pencil and radiograph pen on paper\, 2017-2018\, 2 1/2″ x 2 1/2″ each
URL:https://dulmanngalleries.berea.edu/event_cal/time-marked/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/11/IMG_2239.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20200224T080000
DTEND;TZID=America/Kentucky/Louisville:20200320T170000
DTSTAMP:20240131T214139Z
CREATED:20200127T195959Z
LAST-MODIFIED:20240131T214139Z
UID:2201-1582531200-1584723600@dulmanngalleries.berea.edu
SUMMARY:In Flux: Juried Exhibition of the South Eastern Fibers Educators' Association
DESCRIPTION:In Flux: Juried Exhibition of the South Eastern Fibers Educators’ Association \n“For a working artist\, an exhibition acts as a checkpoint – not an end necessarily\, but a pause in action. This SEFEA exhibition resulted from ongoing conversations\, careful examination of each other’s art\, and the joyful discovery  of our intersecting and overlapping directions. These were found not only in fiber techniques and processes\, but in our ideas\, concerns\, and driving concepts. This exhibition theme developed from the language we use to describe what we strive to achieve visually and what we hope others will experience in dialogue with our art. As a group\, we conscientiously create an environment that supports ongoing conversation and creative development. \nIn Flux is an exhibition of art works curated around the central idea of change and reflection\, it acknowledges those came before us and anticipates those who will come after us. The exhibition is intended to bring together art that explores and asks a range of questions from a variety of approaches. It travels from school to school\, because the individuals in this group are spread among schools throughout the region. It teaches because we as individuals teach.” \n— Lisa L. Kriner\, Professor of Art\, Fibers and Printmaking at Berea College \n  \n“When the many parts of a textile come together\, they create a structure that has both flexibility and integrity. The works exhibited by SEFEA members demonstrate the vast technical and emotional capabilities of fiber art. They show how the can stretch and bend\, without rupture\, to contain many individual approaches within a single community. The ongoing discussions from SEFEA meetings\, the relationships that have formed as a result of the association\, and the work that has been made and shared through forum of yearly meetings\, all speak to the connections made possible through fiber art practice.” \n— Amanda Thatch\, Textile Artist & Studio Coordinator for Textiles and Drawing/Painting at Penland School of Craft 2014-2018 \n  \nFor an opportunity to speak with some of the artists involved in this installation\, there will be a panel discussion on Tuesday\, February 25 at 10:00AM in the Lower Traylor Gallery consisting of Lisa Kriner\, Crystal Gregory\, Cathryn Amidei\, and Erin Miller. \n  \nArtist Panel Discussion: Tuesday\, February 25 at 10:00AM\nExhibition Run: February 24 — March 20 \nImage: SEFEA logo
URL:https://dulmanngalleries.berea.edu/event_cal/in-flux-juried-exhibition-of-the-south-eastern-fibers-educators-association/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/11/SEFEAlogoBG-01.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20200121T080000
DTEND;TZID=America/Kentucky/Louisville:20200220T170000
DTSTAMP:20240205T010802Z
CREATED:20240131T205218Z
LAST-MODIFIED:20240205T010802Z
UID:2199-1579593600-1582218000@dulmanngalleries.berea.edu
SUMMARY:Modern by Nature: Elenhank Textiles from the Berea College Art Collection
DESCRIPTION:Modern by Nature: Elenhank Textiles from the Berea College Art Collection\nCurated by Molly Baker \n  \nExhibition Run: January 21 – February 20 \nImage: Elenhank Designers\, Inc.\, Borealis\, 1976\, screen printed fabric\, 46 1/2″ x 83″
URL:https://dulmanngalleries.berea.edu/event_cal/modern-by-nature-elenhank-textiles-from-the-berea-college-art-collection/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2024/01/2019_01_09_original_1-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20200121T080000
DTEND;TZID=America/Kentucky/Louisville:20200220T170000
DTSTAMP:20240131T214223Z
CREATED:20191115T161743Z
LAST-MODIFIED:20240131T214223Z
UID:2197-1579593600-1582218000@dulmanngalleries.berea.edu
SUMMARY:Re-Reading and Other Bookish Desires
DESCRIPTION:Re-Reading and Other Bookish Desires\nSuzanne Dittenber \nDittenber’s works engage in the dialectics of space—books shaped by their histories and contexts. Indications of domestic furniture and interiors allow for intimacy to take shape\, culling memories in relationship to reading. Paintings and sculptures of books carrying blemishes and imperfections demonstrate a history of receptivity to nuance and a sensitivity to touch and environment. Like an attentive listener\, these works are both responsive and wistful. And yet\, through a separation from specific sources\, the information that would normally connect us to universal ideas is absent. Her books become a blank slate onto which we can project our desires. Waterlines and dog-ears\, evidence of a personal rapport with materiality\, add trace amounts of mystery to cherished stories placed in literal and metaphorical cradles of collective knowledge found in our institutions and on our bed stands. \n  \nExhibition Run: January 21 – February 20 \nImage: Pink Spine\, Oil on canvas\, 2018\, 36″ x 24″
URL:https://dulmanngalleries.berea.edu/event_cal/re-reading-and-other-bookish-desires/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/11/Dittenber-PINK-SPINE.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20200113T080000
DTEND;TZID=America/Kentucky/Louisville:20200227T170000
DTSTAMP:20240131T214421Z
CREATED:20191206T150506Z
LAST-MODIFIED:20240131T214421Z
UID:2188-1578902400-1582822800@dulmanngalleries.berea.edu
SUMMARY:Across the Space Separating
DESCRIPTION:Across the Space Separating\nKiana Honarmand \nI am a Middle Eastern woman living and working in the United States. My creative work address issues related to my cultural identity. I explore the space between the imagery from my cultural background and the Western ideals of my foreground. This is my hybrid portrayal of Middle Eastern and European art where two parts of my identity merge during this time-period in which these two cultures clash. \nMy work is a commentary on sociopolitical issues related to my life in Iran\, such as censorship and violation of women’s rights\, as well as\, the Westerners perception of the Middle East. These issues have deeply affected my life and many others. I talk about the censorship I grew up with by obscuring images from art history. I talk about contemporary incidents such as stoning\, acid attacks against women\, and imprisonment of women’s rights activists. Growing up in Iran\, I felt stuck between tradition and modernity\, as did many other people in my generation. Iran had already become westernized before the 1979 revolution changed the culture to a more religious and traditional one. \nMy work is influenced by my status as female growing up in the Middle East\, who is currently living in the United States. I consider myself a conceptually based artist. In the process of creating my work\, I make all my aesthetic and technical decisions based on my concept and ideas. I use different digital fabrication technologies such as Laser Cutters\, CNC Routers\, 3D Scanners and 3D printer\, in combination with the traditional methods of craft. \nHonarmand will also be giving an artist talk in the galleries for the opening of her exhibition. \n  \nExhibition Run: January 13 – February 27\, 2020\nArtist Talk: Tuesday\, January 14\, at 5:00pm \nImage: Decorum\, 2016\, Installation View
URL:https://dulmanngalleries.berea.edu/event_cal/across-the-space-separating/
LOCATION:Rogers Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/10/Honarmand_18.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20191104T080000
DTEND;TZID=America/Kentucky/Louisville:20191213T170000
DTSTAMP:20240131T214455Z
CREATED:20200212T192943Z
LAST-MODIFIED:20240131T214455Z
UID:2179-1572854400-1576256400@dulmanngalleries.berea.edu
SUMMARY:Historical Portraits from the Berea College Art Collection
DESCRIPTION:Historical Portraits from the Berea College Art Collection\nCurated by the students in Art History 263 \nABSTRACT \n  \nExhibition Run: November 4 – December 13\, 2019 \nImage: Robert Nanteuil (French\, 1623-1678)\, Portrait of John Evelyn\, Engraving\, 1650\, 7 1/4″ x 10 3/4″\, Gift of Ross W. Sloniker\, 180.N.87
URL:https://dulmanngalleries.berea.edu/event_cal/historical-portraits-from-the-berea-college-art-collection/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/09/18107_ca_object_representations_media_9055_medium.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20191028T080000
DTEND;TZID=America/Kentucky/Louisville:20200201T170000
DTSTAMP:20240131T214542Z
CREATED:20190917T152945Z
LAST-MODIFIED:20240131T214542Z
UID:2170-1572249600-1580576400@dulmanngalleries.berea.edu
SUMMARY:Sharing Space with Authority: Proposals for Installing the Berea College Presidential Portraits
DESCRIPTION:Sharing Space with Authority: Proposals for Installing the Berea College Presidential Portraits \nA seemingly simple task\, to reinstall the Berea College presidential portraits\, is actually wrapped up in a complicated dialogue –one that does not exist solely on college campuses\, but in museums\, academic buildings\, and public spaces nationally and globally. How do we make every person who encounters a space feel welcome? How do we return spaces to those who had said spaces taken from them? Internationally\, monuments are being toppled\, murals are being covered\, and buildings are being renamed in response to these questions. Careful consideration of this dialogue has led us to think critically about the reinstallation of our own presidential portraits. Being hung on the wall of a building can give the portraits power over the surrounding space\, and\, as numerous interviews have revealed\, this power dynamic creates an unwelcoming atmosphere for some students\, faculty\, staff\, and visitors more broadly. \nIn order to begin the process of answering these difficult questions\, we will be holding a community event in the Berea College Alumni Building’s Baird Lounge. During this event\, we welcome and encourage community members\, whether that be the college community or community of the surrounding area\, to give us your thoughts on how you feel in such a space and what you would want done with these portraits. \nCurator Jennifer Reynolds-Kaye will also be giving a talk during the community event. \n  \nExhibition Run: October 28 – February 1\, 2019\nCommunity Event: Thursday\, November 21\, at 4:00pm\, in the Alumni Building’s Baird Lounge \nImage: Digitally Altered Image
URL:https://dulmanngalleries.berea.edu/event_cal/sharing-space-with-authority-proposals-for-installing-the-berea-college-presidential-portraits/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/08/portraits_color_phelpstokes.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Kentucky/Louisville:20190821T080000
DTEND;TZID=America/Kentucky/Louisville:20191010T170000
DTSTAMP:20240131T214800Z
CREATED:20190820T182828Z
LAST-MODIFIED:20240131T214800Z
UID:2151-1566374400-1570726800@dulmanngalleries.berea.edu
SUMMARY:Arrangement for a Silent Orchestra
DESCRIPTION:Arrangement for a Silent Orchestra\nJulie Comnick \nArrangement for a Silent Orchestra is a painting and video project that explores the gradual dissolution of culture in contemporary society through the symbolic ruin of a personal and cultural icon\, the violin. Using the violin as a metaphor\, I raise questions about the relationship between advancing technology and diminishing cultural heritage. I invite the audience to consider what makes the instrument precious in their own experience\, and also the cultural context that could allow for its loss. \nThe Artist Talk will also feature a solo violin performance by the artist and will be followed by a reception. \n  \nExhibition Run: August 21 – October 10\, 2019\nArtist Talk: Thursday\, October 10\, at 5:00pm \nImage: Julie Comnick\, Fuoco\, Oil on Canvas\, 2014\, 80″ x 95″
URL:https://dulmanngalleries.berea.edu/event_cal/arrangement-for-a-silent-orchestra/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/08/Comnick.Fuoco_.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190411T080000
DTEND;TZID=UTC:20190505T170000
DTSTAMP:20240131T214822Z
CREATED:20190222T212702Z
LAST-MODIFIED:20240131T214822Z
UID:2069-1554969600-1557075600@dulmanngalleries.berea.edu
SUMMARY:Graduation Exhibition for Art Majors
DESCRIPTION:Exhibition run: April 11 – May 5\, 2019 \nArtist talk and Opening Reception: April 11\, 4:30pm
URL:https://dulmanngalleries.berea.edu/event_cal/graduation-exhibition-for-art-majors/
LOCATION:Upper & Lower Trayor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/04/senior_show_postcard_02.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190225T080000
DTEND;TZID=UTC:20190404T170000
DTSTAMP:20240131T214943Z
CREATED:20190222T202257Z
LAST-MODIFIED:20240131T214943Z
UID:2054-1551081600-1554397200@dulmanngalleries.berea.edu
SUMMARY:"Cataclysmic Microcosm" by Jave Yoshimoto
DESCRIPTION:Cataclysmic Microcosm\nJave Yoshimoto \nMy work takes on the ephemerality of news and information and how the emotions we bring to each tragedy in the news cycle are swept away by the wave of information that floods the media. I address this social amnesia through my art with the work acting as a social memory for tragic events so quickly forgotten in our information age. \nEmploying images of the overwhelming power of the contemporary disasters humanitarian crisis to inspire empathy in the art works’ viewers. I use graphic illustrative images to draw in the audience for a closer view\, while the finer details of the piece keep the audience fixated and allow them to feel immersed in the content of the subjects themselves. \nI have researched my topics and themes by visiting and volunteering to help with the earthquake relief in Japan and Nepal\, as well as the refugee crisis in Greece to collect first-hand\, on the ground data.  These data\, which varies from interviews and photographic documentations are used to build my compositional images\, which at first becomes a painting paper\, then re-drawn to create my current wood relief block sculptures. \nThis practice ultimately represent my belief that art should be accessible to its viewers through humanist tales of struggle and survival as played out in the prevalent social amnesia of the information age. \n  \nExhibition Run: February 25 – April 4\, 2019\nArtist Talk: April 4\, 4:30pm \n  \nImage: The Transference of Weight by Jave Yoshimoto; Gouache on paper\, 2017\, 18″ x 24″
URL:https://dulmanngalleries.berea.edu/event_cal/cataclysmic-microcosm-by-jave-yoshimoto/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2019/02/Yoshimoto1_TOW2000pxw300dpi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20190114T080000
DTEND;TZID=UTC:20190215T170000
DTSTAMP:20240205T002918Z
CREATED:20181218T210830Z
LAST-MODIFIED:20240205T002918Z
UID:1989-1547452800-1550250000@dulmanngalleries.berea.edu
SUMMARY:"Going Against the Grain: Wooden Quilts" by Laura Petrovich-Cheney
DESCRIPTION:Exhibition Run: January 14 – February 15\, 2019\nArtist Talk: February 7\, 4:30pm \n  \nAbout the Artist:\nUsing traditional and contemporary patchwork quilt patterns\, Laura Petrovich-Cheney creates complex and vibrant sculptures from debris that was collected after natural disasters such as Hurricane Sandy (2013)\, Gatlinburg\, TN Fires (2015)\, and a series of nor’easters that pounded the Massachusetts coastline during the winter of 2018. Her work explores issues of loss\, identity\, place\, memory\, and renewal. \n  \nImage: Maybe Baby\, Salvaged Wood from Natural Disasters\, 36″ x 36\,” 2018
URL:https://dulmanngalleries.berea.edu/event_cal/going-against-the-grain-wooden-quilts-by-laura-petrovich-cheney/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2018/12/bright_Laura-Petrovich-Cheney_17.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181115T163000
DTEND;TZID=UTC:20181214T170000
DTSTAMP:20240205T003010Z
CREATED:20181108T210108Z
LAST-MODIFIED:20240205T003010Z
UID:1985-1542299400-1544806800@dulmanngalleries.berea.edu
SUMMARY:Fall\, 2018 - Senior Exhibition
DESCRIPTION:Join is in the Doris Ulmann Galleries for the opening of our Mid-Year Graduation Exhibition for Art Majors. \nIn this special show\, four graduating Studio Art students will publicly present their work to the Berea campus and community at large. On November 15 at 4:30pm\, participants will deliver talks about their pieces\, giving visitors an opportunity to learn more about them and the inspiration that fueled their work. A light reception will immediately follow. \nHelp us celebrate these seniors’ efforts as they prepare for graduation! \n  \nArtist Talks & Opening Reception: Thursday\, November 15\, 4:30pm \nParticipants: \nBenjamin Butero                  Sculpture\nRebecca Faulkinbury           Ceramics\nJoseph Muth                         Ceramics\nChristopher Spratling          Printmaking
URL:https://dulmanngalleries.berea.edu/event_cal/fall-2018-senior-exhibition/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2018/11/Senior_Fall-2018_FINAL.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20181029T080000
DTEND;TZID=UTC:20181214T170000
DTSTAMP:20240205T003137Z
CREATED:20181005T203605Z
LAST-MODIFIED:20240205T003137Z
UID:1964-1540800000-1544806800@dulmanngalleries.berea.edu
SUMMARY:"Figure Narratives" by David Hicks
DESCRIPTION:Artist Talk: Thursday\, November 1\, 4:30pm \n  \nArtist Statement: \nMy work re-examines the grand metaphorical narrative as a way of exploring both personal content and universal themes within the contemporary human experience. I do this through creating large scale multi-figure drawings and paintings. My narratives present a mixed cast of mythical\, iconic\, historical\, and modern-day characters\, each one playing specific a role in an unfolding story and shared environment. I view the paper as a stage for me to present characters\, juxtapose roles\, and draw connections that literally and figuratively tie the characters in the narrative together. Composing in a metaphorical language gives me the freedom to address a variety of heavy\, complex\, yet all-pervasive themes without forcing a singular message on the viewer. \n  \nImage: Cycle (detail)\, Graphite on Paper\, 2017\, 36″ x 50″
URL:https://dulmanngalleries.berea.edu/event_cal/figure-narratives-by-david-hicks/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2018/10/Cycle-detail-2-300-dpi.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180910T080000
DTEND;TZID=UTC:20181025T170000
DTSTAMP:20240205T003157Z
CREATED:20180615T195927Z
LAST-MODIFIED:20240205T003157Z
UID:1929-1536566400-1540486800@dulmanngalleries.berea.edu
SUMMARY:"Seeing the Air Bend" by Gail D. Panske
DESCRIPTION:Artist Talk: October 25\, 4:30pm \n  \nArtist Statement:\nMy work is about the experience of place and time and how those experiences come together. \nFor the work in this series\, I used two books as inspiration\, the novel\, Forgotten Country\, by Catherine Chung; and Difficult Fruit by poet Lauren Alleyne. My goal was\, to paraphrase the artist Robert Motherwell\, maintain my own iconography while using the text as inspiration. \nThe words of the novel and poems were the starting point. I read and re-read the books\, documenting phrases and short passages that resonated with me. Along the way\, I discovered connections and explored new ways to approach the subject matter. The drawings and prints are a visual representation of that dialogue\, a synthesis of experience\, time\, and place. \n  \nImage: Between Flicker and Fade\, Graphite\, 2015\, 28″ x 36″
URL:https://dulmanngalleries.berea.edu/event_cal/seeing-the-air-bend-by-gail-panske/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2018/06/panske3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20180319T080000
DTEND;TZID=UTC:20180503T170000
DTSTAMP:20240205T003351Z
CREATED:20170814T193925Z
LAST-MODIFIED:20240205T003351Z
UID:1772-1521446400-1525366800@dulmanngalleries.berea.edu
SUMMARY:Dragonslayer by Alexander Hanson
DESCRIPTION:Alexander Hanson\n\nI want to know how we think we can ascertain anything optimistic about the world when we insist on looking through dirty glasses. My creative research focuses on the use of objects\, constructed and found\, as a way to ask pointed questions related to faith; and the use or abuse of it in everyday life. My work often takes form through installation or built environments; I use a variety of materials and objects to create instances where the viewer is invited to enter into a constructed fiction.\n\nI attempt to make work that invites\, allows and provides people with the opportunity to see the world differently. I am interested in contradiction and how we use models and principles that do not stand on their own legs to value and derive meaning. I aim to create work that illuminates the complications behind seeing the world narrowly. I want to highlight the futility\, hopelessness\, and failure behind the challenge of extracting a pure or unadulterated meaning of the pieces of the puzzle we are given.\n\nConsider what it means to be broken vs. what it means to be altered. Consider everything is fragile and at any moment everything can change. Consider what makes us make decisions could possibly not be our soul or our learned experiences\, but the balance or imbalance of certain chemicals in our blood at any given point in time. Consider we take part in destroying a world it is in our best interest to preserve. Consider in order to fix a hole\, you have to destroy a pile of dirt.\n\nI employ sculpture as a way to point a finger at our conceived notions of truth and use symbols and objects to invite the viewer to use irreverent skepticism to freely laugh at\, poke holes in and make light of those ideas as a last ditch effort to fully understand them. If magic doesn’t exist\, then that is just fine; but rather than mourning\, we should rejoice\, because we should prefer a world where that is the case.\n\nI want to be able to constantly reconsider what I often believe to be underlying reasons for how to live a good life and how to make the right decision. What is right and what is wrong is never so simple. I want to know what joy is and how to find a real and lasting version of it. I attempt to introduce an audience to instances that can produce despair in the hope of moving them beyond paralysis in the face of seemingly hopeless situations. I want to be the person to shake people off the fence\, not just so I can watch them fall\, but so I can catch them before they hit the ground.\n\nThere will be an artist talk given by Alexander Hanson on March 15th\, 2018 at 4:30 pm.
URL:https://dulmanngalleries.berea.edu/event_cal/alexander-hanson/
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2017/08/IMG_1231.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180219T080000
DTEND;TZID=UTC:20180330T170000
DTSTAMP:20240205T003437Z
CREATED:20171011T222028Z
LAST-MODIFIED:20240205T003437Z
UID:1813-1519027200-1522429200@dulmanngalleries.berea.edu
SUMMARY:Composed Construct
DESCRIPTION:  \nSusan Beiner \nArtist Statement \n  \nThe most recent concerns in my work deal with making what is organic synthetic. In todays’ world\, most everything is manufactured of artificial materials. This extends to what was once all natural. Genetically altered foods\, cloned animals and the hybridization of everything. Clay and ceramic materials for the most part are all derived from nature\, elements that are naturally mined from the earth. This has lead me to want to use additional materials that are a result of an industrial process such as foam\, plexi-glass and rubber. My use of excess has evolved to issues similar to those in urban sprawl – the sense of being surrounded by a manufactured and engineered environment. \n  \nMy current work displays a shift to ideas about installation\, covering an expanse of space. Installation allows me to reassemble shapes\, attributes\, qualities and quantities on a much larger scale suggesting an essential connection to our physical space. My interest is fueled by elements of layering\, fragmentation\, multiplication\, juxtaposition and complication. Intense brilliant color reveals an obviously artificial man-made reality. Color is swirled together in rhythmic sequences mirroring the activities of a microscopic sample or aerial topography. The encrustation’s are abstracted from real plant life\, allowing the viewer to proceed into the interior pattern of a stylized manufactured plastic plant life. So as a viewer we are challenged by our own perceptions of what is authentic and what is not. \n  \nThere will be an artist talk on February 16th\, 2018. This event is open to the public.
URL:https://dulmanngalleries.berea.edu/event_cal/compost-construct-by-susan-beiner/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2017/10/Beiner-13.jpg
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BEGIN:VEVENT
DTSTART;TZID=UTC:20180122T080000
DTEND;TZID=UTC:20180223T170000
DTSTAMP:20240205T003508Z
CREATED:20171129T224247Z
LAST-MODIFIED:20240205T003508Z
UID:1831-1516608000-1519405200@dulmanngalleries.berea.edu
SUMMARY:The Art of Collaboration
DESCRIPTION:curated by Sheridan Bischoff\, ’18 \nA solitary artist is not a stereotype for a printmaker. Printmaking is a medium with a long history of collaboration. Great printmakers often were the heads of workshops where apprentices would learn the skills of the trade in exchange for their contribution to the art. In contemporary art\, collaboration is a significant means of networking that create partnerships in the arts allowing for artists to work together for an equal opportunity in the distribution of artwork\, future connections\, and patronage. Dadaist believed that the value of art was not in the work produced\, but in the act of making and collaborating with others to create new visions of the world. A collaboration is not something for a day\, but a long and committed process. Working together\, artists can experiment\, take chances\, and learn from one another. \nThis exhibition curtesy of the generous donors Gerry and Shelly Elliott. They started their collection after responding to an ad from Associated American Artists\, New York City in fortnightly publication “The Reporter.” They sent in twenty-five cents and received a catalogue and Mr. Elliott said\, “the rest was history.” Neither of them received “any formal art education. Mr. Elliott has a BA in Government from Beloit College and MA\, ABD (all but dissertation)\, in Political Science from the University of Minnesota. Ms. Elliott has a BA in English from Chanpaign-Urbana\, IL and a MS in English from the University of Wisconsin.     \nThere will be a talk given by the curator in the Lower Traylor Gallery at 4:30 pm on February 22nd\, 2018.
URL:https://dulmanngalleries.berea.edu/event_cal/the-art-of-collaboration/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2017/11/08-Laura-Weaver-Huff.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20161009
DTEND;VALUE=DATE:20161129
DTSTAMP:20240205T004334Z
CREATED:20160719T211533Z
LAST-MODIFIED:20240205T004334Z
UID:878-1475971200-1480377599@dulmanngalleries.berea.edu
SUMMARY:Decomposing the Monument of the Third International
DESCRIPTION:Decomposing the Monument to the Third International is an interactive art project that considers how the practices of art\, food\, and education might be drawn together in order to plug some of the microflows of capital distribution. The hope is to encourage a rising-up of human essence that is based on creating networks of survival whereby the fulfillment of our most basic needs opens-up possibilities for new value systems that are not driven by profit and yield. \nJosh Hoeks \nArtist talk December 2nd\, noon
URL:https://dulmanngalleries.berea.edu/event_cal/decomposing-the-monument-of-the-third-international/
LOCATION:Lower Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/01-Hoeks-Decomposing-the-Monument-of-the-Third-International.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20161009
DTEND;VALUE=DATE:20161112
DTSTAMP:20240205T004412Z
CREATED:20160719T210304Z
LAST-MODIFIED:20240205T004412Z
UID:880-1475971200-1478908799@dulmanngalleries.berea.edu
SUMMARY:Thicket
DESCRIPTION:My work is a balance of thoughtful observation\, memory\, and ample invention\, drawing information from a variety of sources. It focuses on experiencing a place\, both in person and through recollection. Constructed out of scattered fragments of light and location\, these scenes are an invented geography\, losing space and site. Specificity of place becomes blurred in a fiction of memories\, as coal towns of Appalachia become indistinct from Italian villages. These landscapes are presented through a lens of recollection\, distorted by nostalgia. By sharing these personal perspectives\, the landscape is opened to be reexamined with a fresh interest. \nParticularly in my prints\, I rely on the translation of process\, letting the materials assume partial control of the final image. I enjoy how this process works with the idea of a motif. By pushing the mono-type beyond a single print\, each repetition brings new changes\, each with their own singularity. Like memories of a place gradually altering themselves\, every new print further removes the image from the original\, inventing a new landscape. \nSean Ware \nArtist talk November 11th\, noon
URL:https://dulmanngalleries.berea.edu/event_cal/thicket/
LOCATION:Upper Traylor Gallery
CATEGORIES:Past Event,Past Exhibit
ATTACH;FMTTYPE=image/jpeg:https://dulmanngalleries.berea.edu/wp-content/uploads/2016/07/02-Ware-Ascension-1.jpg
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END:VCALENDAR