Ferment by Philip Wiggs

Artist Statement:
In recent studio work I have been constructing a series of storage vessels whose shape and surface imagery explore the concept of fermentation.
To “ferment” means to undergo fermentation, to slowly brew, fizz or foam. To “ferment” also means to incite or stir up. I am interested in the dual nature of this word, and wish to explore both meanings through the form and surface imagery of my pots.
While the voluminous walls on my pots refer to traditional shapes of storage jars, they also can allude to the easy connection between clay and the human form, showing bellies stretched to their limit. I want to express a tautness that conveys the feeling of ferment, of volume stretching outward towards bursting, showing the promise of fecundity.
As a maker of vessels, I want to remind viewers to look past an easy understanding of function and towards metaphor. The imagery on the surface of my vessels is a guide toward conceptual use, and often serves as a metaphorical brand or label.
This interest in ferment began with an informal study of Korean Onggi fermentation jars. I enjoy that these beautiful large-scale forms are often buried almost completely underground with only the lids showing, making a functional use of the natural insulating properties of the earth.
This act of burying emphasizes the idea of food and storage as a means toward transmutation and mystery, a search for permanence while acknowledging the inevitability of change.