Castle of Mary, Queen of Scots

2016-06-30T18:13:40-04:00

Despite the strong currents of pure abstraction during the mid-twentieth century, Dimitrie Berea forded his own path. Taking after and expanding upon the Fauves and Impressionists, Berea had exhibited internationally from the age of 19. Originally trained at the Bucharest Academy of Architecture, Berea remained in Bucharest and opened an art school, Ileana. Coming to [...]

Double Portrait of a Man and Woman

2019-05-15T09:05:19-04:00

Francesco Torbido was an Italian, Renaissance painter active in Venice and Verona. He was a religious and portrait painter. Torbido is said to have studied with Giorgione. Certainly this double portrait shows the Venetian influence of the renowned artist. From the later part of the 15th century, Venice had a distinctive, thriving and influential art [...]

Moses Steps on Pharaoh’s Crown; The Finding of Moses

2019-05-15T09:05:19-04:00

The artist of this painting is so named for his notable rendering of the Greek myth of Daphne fleeing Apollo. In this painting, two scenes from the life of Moses are presented. On the right, the baby Moses has been found floating amongst the reeds in the river Nile and brought to the Pharaoh and [...]

Portrait of a Young Woman

2016-06-28T17:17:20-04:00

Despite the titling of this piece as a portrait, there is question over whether or not it represents an ordinary woman or a biblical heroine. It can, however, be confidently be dated as after 1532 despite the lack of artist identification because it is surely copied off of Antonio Alegri Correggio’s Allegory of Virtue. The [...]

Nativity

2019-05-15T09:05:19-04:00

A common practice amongst early renaissance Christians, this piece is thought to be intended for personal devotion because of its small size. It is accepted as being one of the last paintings by di Francesco. Joseph’s head is the most reminiscent of the artist’s younger hand and so considered the finest part of the painting. [...]

Holy Family with Saints John and Catherine

2016-06-28T17:18:55-04:00

Many renaissance paintings are rife with symbolic iconography. The Madonna’s red robe symbolizes power through faith in Christ and the green signifies the triumph of life over death. Playing with the infant Christ child on her lap, is infant Saint John the Baptist. He is depicted clothed in animal skins because he was said to [...]

The Crucifixion with Saint Jerome, Donor and His Family

2019-05-15T09:05:19-04:00

Inspired by his letter to a disciple describing his joy in solitary penance, representations of St. Jerome beating his bare breast with a stone became popular in fifteenth-century Tuscany. These images, usually showing St. Jerome kneeling before a crucifix and accompanied by a lion, were especially popular in the last quarter of the century. Images [...]

Madonna and Child with Four Angels

2016-06-28T17:23:04-04:00

Apollonio di Giovanni di Tommaso is also known as “The Virgil Master.” The artist’s pseudonym was given to him because he did numerous miniatures for a manuscript of Virgil's "Aeneid" in the Riccardi Library in Florence. The melancholy of the Madonna is balanced by the infant Jesus who sweetly reaches for a rose offered by [...]

Madonna and Child with Infant Saint John

2016-06-28T17:23:54-04:00

This beloved scene of Madonna and Child stands apart from its earlier counterparts in its tenderness. This Virgin Mary is holding her child who is clambering up his mother to whisper in her ear. Mary steadies herself upon a parapet inscribed with Luke 1:42 “Blessed are you among women and blessed is the fruit of [...]

Madonna and Child with Saints and Angels

2016-06-28T17:27:03-04:00

This piece was originally the center panel of a small triptych commissioned for a side altar or chapel. The panel depicts the Virgin Mary seated on a brocaded pillow upon a high platform. She holds the Christ child and a rose—a sign of her beauty and purity. Upon either side of her throne are her [...]

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